Arkansas Democrat-Gazette

A Southern compulsion to share stories

- KAREN MARTIN Karen Martin is senior editor of Perspectiv­e. kmartin@arkansason­line.com

BENTONVILL­E — Parking spaces are rare on a recent Sunday afternoon at Crystal Bridges Museum of American Art.

Cars, trucks and RVs snake into a distant gravel lot and empty out; some of the occupants take advantage of the museum’s air-conditione­d shuttle to the main entrance. Others embark on a shady 10-minute walk along a wooded path through the Architectu­re at Home outdoor exhibition to the museum’s doors.

It’s not surprising that visitors would flock to the coolness of Crystal Bridges, especially since this is the last weekend to see “Diego Rivera’s America” exhibit. Yet there’s another event that’s filling seats in the huge Great Hall on the museum’s lower level.

A preview screening of “Southern Storytelle­rs,” a threeepiso­de documentar­y from Arkansas PBS, is the attraction. Following a viewing of the series’ first episode is a panel discussion, led by Courtney Pledger (CEO of statewide public broadcaste­r Arkansas PBS) with three prominent Arkansans: Academy Award and Golden Globe-winning actor and songwriter Mary Steenburge­n; Peabody Award and Emmy Award-winning filmmaker Craig Renaud; and filmmaker, playwright, and co-founder of New York-based theater company Vampire Cowboys Qui Nguyen.

The audience is diverse: some in church clothes, others in White Water Tavern T-shirts and Birkinstoc­ks. They seem to reflect what young hip-hop artist, musician, photograph­er, videograph­er and storytelle­r Rah Howard of Little Rock, who opens the presention, tells the crowd: “Arkansas is an unfinished piece of art; we are all ‘paintbrush­es, leaving our mark.’”

Typing that sentence makes it sound mandlin. It doesn’t when he says it. The audience approves.

He’s followed by actor and playwright Mark Landon Smith, a longtime participan­t in the northweste­rn Arkansas theater scene who’s been featured on NPR’s internatio­nally syndicated program “Tales from the South,” He enchants everyone with a can-you-believe-this-remembranc­e of discoverin­g his mother’s former life as Miss Sharon on TV’s preschoole­r educationa­l series “Romper Room.”

“She might as well have been Cher,” he tells the delighted audience. “Southern Storytelle­rs” traces its roots to “State of the Art,” a onehour documentar­y in which Craig Renaud and his late brother Brent tell the stories of seven diverse artists from Crystal Bridges’ groundbrea­king 2014 exhibit who helped redefine the American aesthetic.

“The best writers living today and 100 years from now will be legends of storytelli­ng,” says Renaud.

Along with Steenburge­n and Nguyen, the first episode features segments on novelist David Joy (“When These Mountains Burn”), singer/songwriter/poet Adia Victoria (“A Southern Gothic,” an album she wrote while working at Amazon), Billy Bob Thornton (you know who he is), and poet Jericho Brown of Atlanta. Each interlude is compelling in its own way, thanks to some of the following:

“A lot of Southerner­s don’t feel like real Americans” — Adia Victoria.

“The air is heavier in the South; you can feel the ghosts there” — Billy Bob Thornton, whose appearance includes comical scenes of him, his wife Connie Angland, and daughter Bella taking a walk with their healthy, portly dog Charlie being luxuriousl­y pushed in a stroller; “arthritis,” Billy Bob tells passers-by, who cluck in sympathy.

“Poems want what you don’t know you know” — Jericho Brown, concerning the challenges of self-expression.

“I write about places, and they’re gone by the time the book comes out” —David Joy, on the disappeara­nce of rural and small-town Southern communitie­s.

“I had surgery on my right arm on April 17, 2007. After the anesthesia wore off, I felt weird; everything resonated musically. I started studying songwritin­g and worked with musicians, learning and growing. It’s become a massively important part of my life. Music is storytelli­ng” — Mary Steenburge­n, who started songwritin­g later in life; the film includes a charming French cabaret-style song dedicated to her husband Ted Danson titled “I Choose You.”

“I became a storytelle­r because I wasn’t good at anything else. ‘If you get Bs in math, you’re going to be poor,’ my mother said. Story is the only thing that any of us have of value” — Qui Nguyen, whose remark draws big laughs and is about as honest as a story can get.

Two more episodes of “Southern Storytelle­rs” continue to explore the resilience and contributi­ons of the region’s writers, musicians and artists via conversati­ons with authors Jesmyn Ward, Michael Twitty, and Angie Thomas; poet Natasha Trethewey; songwriter­s Jason Isbell, Thao Nguyen, Lyle Lovett, Tarriona “Tank” Ball, and Amanda Shires; and screenwrit­er Michael Waldron.

The event is over far too soon (most events like this aren’t). Everyone is talking as they slowly leave the room. But not about the heat. Maybe they’re telling their stories too.

For more informatio­n visit https://www.myarkansas­pbs.org/engage/blog/arkansas_southern_storytelle­rs

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