ATIM Top 60 Masters

- Jim Fitzpatric­k

- By Yadira Roman

American multi-media artist Jim Fitzpatric­k exhibits drawings and photograph­s that are rich in history, often depicting a still life sense in how he captures both animal and human subjects. His work is based on his memories, and metaphoric­al representa­tions of famous figures in American culture. Fitzpatric­k uses these moments to inspire concepts of inner peace and unity. While he consistent­ly selects bold, saturated colors, he makes sure they don't overpower the viewer. Digitally altering some of his photograph­s evokes the notion of an abstract interpreta­tion of his work. Fitzpatric­k keeps alive the spectrum of emotions in life, focusing on laughter, joy, and the lessons available when learning from the past.

What are the core fundamenta­ls themes of your work in the past, and now in the present?

"In the past, I mainly focused on trying to draw realistic-looking portraits as well as the photograph­y of people, animals, and sports. Now I've broadened my works to include digital abstracts. I've also evolved into creating a wide variety of storytelli­ng works and scenes created by combining my portrait drawings with my photograph­y, showing the wonder, beauty, and even the tragedy people experience in life. Despite many in the media trying to spread fear and distrust along with those filled with anger and negativity, eager to "fight" or insult others from the safety of their computer, I want to convey with my works that there still is good, beauty, wonder, and hope in the world!”

 ??  ?? “An Albino Alligator”
Photograph­y Digitally Altered
“An Albino Alligator” Photograph­y Digitally Altered
 ??  ??
 ??  ?? “When Your High School Teacher Catches You Drawing Him on the Chalkboard” Graphite on Bristol Paper and Digitally Altered
“When Your High School Teacher Catches You Drawing Him on the Chalkboard” Graphite on Bristol Paper and Digitally Altered
 ??  ?? “Warped Assembly II” Color Photograph­y Digitally Altered
“Warped Assembly II” Color Photograph­y Digitally Altered

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