Atomic Ranch

Rebuilding Retro

After a fire, thisEichl er-inspired home had to be rebuilt from the ground up. And though it takes plenty of inspiratio­n from its original Eichler roots, it also has a few changes too.

- By Rabekah Henderson l Photograph­y by Mariko Reed

This San Mateo neighborho­od has one of the highest concentrat­ions of Eichler homes

in California. Atop one of its lots an original Eichler used to sit, built in the mid century. However, an unfortunat­e grill fi re made quick work of this so- called “two- minute Eichler,” a reference to how quickly its all- wood structure succumbed to the fi re.

So, when later owners of the burnt- down lot reached out to Klopf Architectu­re to rebuild, they knew they wanted to include classic Eichler elements, while making the home work better for the homeowners than the original Eichler ever could have.

THE REBUILD

One of the biggest changes in the rebuild was the layout of the home. One of the homeowners wanted to include an additional primary suite for their mother, which presented a challenge for the already narrow lot.

“Your back wall is your connection to the outdoors,” says architect John Klopf. “It can only be a certain number of feet wide, and [ if] you have two primary suites back there, you don't have much space for a living room to connect to the back either.”

The solution came in an L- shaped layout, which was markedly different from the classic square shape of Eichler homes, but it fi t the lot ( and the homeowners’ needs) much better.

As project manager Klara Kevane explains, the new layout for the San Mateo home is made up of two volumes, with the fi rst volume holding the garage and the additional primary suite. The second volume is the main house, which includes a primary suite, a guest bedroom and bathroom, a TV room, an offi ce and an open- concept living area.

OPEN CONCEPT

The open- concept living area features a kitchen, a dining space and a living room. The kitchen cabinetry is also seen in the bathrooms and bedrooms, maintainin­g a sense of continuity throughout the home. “In an open concept house like this, with a lot of fl ow,” says John, “we want to keep the same material all throughout the house. We want the same cabinetry all throughout the house, and it should all have the same palette ... even down to, in this case, the bathroom wall tiles.”

DESIGN RECIPE FOR AN EICHLER

But it was crucial that the rebuilt home didn’t lose its Eichler look. On the exterior of the home, many quintessen­tial Eichler elements were re- added, like the low profile of the home, its overhangin­g roof and vertical siding. “[ We wanted to] keep the house more private towards the street facade, and have it look more like a wood wall,” says John.

Eichler colors were also used where possible, like the subtle orange front door and deep gray siding. Together these elements make the home blend in in its neighborho­od full of Eichlers. But it almost wasn’t that way. When they were building the home, it had to be reframed at the last- minute, as the original framing on the hilly lot made the home look two stories tall. “We didn't want to look like a two- story home from the street,” says John. “It stood out, and we wanted to try to preserve the whole feel of the neighborho­od ... It was well worth it [ to change the framing] to prevent the house from looking like this two- story monstrosit­y.”

Inside, the home’s Eichler feel continues. One of the biggest ways it shines through is in the home’s expansive wall of floor- to- ceiling windows. The windows look out onto a picture- perfect courtyard, which holds a pool, space to entertain and an outdoor kitchen.

INDOOR- OUTDOOR FEELING

Bringing the inside and outside together as one is a must for any mid century home, especially in California. And it’s no different for this Eichler rebuild. One of the ways John and his team created the indoor- outdoor feeling was through the home’s concrete slab flooring, which fills the interior of the home and is continued outside. “The floor slab is exposed concrete flooring with radiant heating, which is another typical Eichler element,” says Klara.

And as the lot sits on a slope, the courtyard has a retaining wall. But rather than trying to hide or remove the wall, it’s instead highlighte­d, covered in lush plantings and boulders. The home sits up against the wall, where it’s highlighte­d through window placements, which, John says, create the feeling of the home being perfectly integrated into the landscape.

 ??  ??
 ??  ?? ABOVE: THE HOME’S EXTERIOR IS WHERE ITS EICHLER BEGINNINGS SHINE THROUGH MOST STRONGLY. THE OVERHANGIN­G AND LOWPROFILE ROOFLINE, ALONG WITH THE VERTICAL SIDING AND SPLASHES OF EICHLER COLOR, ENSURE THAT THOUGH THIS HOME IS A 2016 CREATION, IT HAS FIRM ROOTS IN THE MID CENTURY.
OPPOSITE, TOP: THE LIVING ROOM OFFERS ONE OF THE BEST VIEWS OF THE SPACE, BOTH INTERIOR AND EXTERIOR, AND IS ONE OF JOHN AND KLARA’S FAVORITE PARTS OF THE HOME. WESTERN RED CEDAR CEILINGS GIVE THE ROOM A WARM AND RICH FEELING, WHILE FLOOR- TO- CEILING WINDOWS SHOW OFF THE EQUALLY STUNNING EXTERIOR.
OPPOSITE, BOTTOM: THE LIVING AREA OFFERS A VIEW OF THE SAN MATEO HOME’S ATRIUM, WHICH DIVIDES THE TWO VOLUMES OF THE HOME AND HOLDS A ROOFTOP TRELLIS, LETTING LIGHT INTO THE PLANTERS BELOW. TO THE RIGHT OF THE ATRIUM IS THE HOME’S GARAGE AND SECONDARY SUITE.
ABOVE: THE HOME’S EXTERIOR IS WHERE ITS EICHLER BEGINNINGS SHINE THROUGH MOST STRONGLY. THE OVERHANGIN­G AND LOWPROFILE ROOFLINE, ALONG WITH THE VERTICAL SIDING AND SPLASHES OF EICHLER COLOR, ENSURE THAT THOUGH THIS HOME IS A 2016 CREATION, IT HAS FIRM ROOTS IN THE MID CENTURY. OPPOSITE, TOP: THE LIVING ROOM OFFERS ONE OF THE BEST VIEWS OF THE SPACE, BOTH INTERIOR AND EXTERIOR, AND IS ONE OF JOHN AND KLARA’S FAVORITE PARTS OF THE HOME. WESTERN RED CEDAR CEILINGS GIVE THE ROOM A WARM AND RICH FEELING, WHILE FLOOR- TO- CEILING WINDOWS SHOW OFF THE EQUALLY STUNNING EXTERIOR. OPPOSITE, BOTTOM: THE LIVING AREA OFFERS A VIEW OF THE SAN MATEO HOME’S ATRIUM, WHICH DIVIDES THE TWO VOLUMES OF THE HOME AND HOLDS A ROOFTOP TRELLIS, LETTING LIGHT INTO THE PLANTERS BELOW. TO THE RIGHT OF THE ATRIUM IS THE HOME’S GARAGE AND SECONDARY SUITE.
 ??  ?? THE OPEN LIVING AREA FEATURES CONCRETE FLOORS, WHICH CONTINUE OUT TOWARD THE COURTYARD AND POOL. WHEN PAIRED WITH THE EXTENDED CEDAR CEILING AND THE FLOOR- TOCEILING WINDOWS, THE SAN MATEO HOME EMBRACES AND JOINS WITH THE OUTDOORS, RATHER THAN EXCLUDING IT.
THE OPEN LIVING AREA FEATURES CONCRETE FLOORS, WHICH CONTINUE OUT TOWARD THE COURTYARD AND POOL. WHEN PAIRED WITH THE EXTENDED CEDAR CEILING AND THE FLOOR- TOCEILING WINDOWS, THE SAN MATEO HOME EMBRACES AND JOINS WITH THE OUTDOORS, RATHER THAN EXCLUDING IT.
 ??  ?? ABOVE: THE WALL OF FLOOR- TO- CEILING WINDOWS CAN BE OPENED UP TO THE COURTYARD, CREATING A SPACE THAT FEELS JUST AS AT- HOME INSIDE AS IT DOES OUTSIDE.
OPPOSITE, TOP: THE CABINETRY IN THE KITCHEN IS ECHOED THROUGHOUT THE HOME, AS THE SAME CABINETRY IS USED IN THE BUILT- IN WARDROBES OF THE PRIMARY SUITES AND IN VANITIES AND STORAGE IN THE HOME’S BATHROOMS.
OPPOSITE, BOTTOM: THE OUTDOOR POOL PROVIDES A POP OF BLUE IN AN OTHERWISE GREEN COURTYARD. THE CONCRETE THAT FILLS THE PATIO AREA IS THE SAME AS THE FLOORING INSIDE, CONNECTING THE INDOORS TO THE OUTSIDE. ADDITIONAL­LY, THE RETAINING WALL ON THE BACK SIDE OF THE COURTYARD PROVIDES A HOME FOR SOME LUSH PLANTINGS AND A FEW BOULDERS.
ABOVE: THE WALL OF FLOOR- TO- CEILING WINDOWS CAN BE OPENED UP TO THE COURTYARD, CREATING A SPACE THAT FEELS JUST AS AT- HOME INSIDE AS IT DOES OUTSIDE. OPPOSITE, TOP: THE CABINETRY IN THE KITCHEN IS ECHOED THROUGHOUT THE HOME, AS THE SAME CABINETRY IS USED IN THE BUILT- IN WARDROBES OF THE PRIMARY SUITES AND IN VANITIES AND STORAGE IN THE HOME’S BATHROOMS. OPPOSITE, BOTTOM: THE OUTDOOR POOL PROVIDES A POP OF BLUE IN AN OTHERWISE GREEN COURTYARD. THE CONCRETE THAT FILLS THE PATIO AREA IS THE SAME AS THE FLOORING INSIDE, CONNECTING THE INDOORS TO THE OUTSIDE. ADDITIONAL­LY, THE RETAINING WALL ON THE BACK SIDE OF THE COURTYARD PROVIDES A HOME FOR SOME LUSH PLANTINGS AND A FEW BOULDERS.
 ??  ?? ABOVE: AT NIGHT, EXTERIOR LIGHTING CREATES AN OUTDOOR SPACE THAT FEELS JUST AS COZY AS ITS INTERIOR COUNTERPAR­TS. THE CONTINUOUS LINE OF LIGHTS FROM INSIDE TO OUT, ALONG WITH THE OVERHANGIN­G ROOF AND CEILING, ADDS TO THE HOME’S INDOOR- OUTDOOR FEELING.
OPPOSITE, TOP: THE PRIMARY BEDROOM’S FLOOR- TO- CEILING WINDOWS GIVE THE SPACE A FANTASTIC VIEW OF THE COURTYARD. A SMALLER WINDOW ON THE RIGHT WALL SHOWS HOW THE HOME IS TUCKED INTO THE RETAINING WALL.
OPPOSITE, BOTTOM: THE HOME’S PRIMARY BATHROOM FEATURES A LARGE SKYLIGHT ALONGSIDE AN UPPER WINDOW ABOVE THE BATHTUB. “THE SKYLIGHT OVER THE SINKS BRINGS IN [ ADDITIONAL] LIGHT AND BALANCES THE LIGHT OUT IN THE ROOM,” SAYS JOHN.
ABOVE: AT NIGHT, EXTERIOR LIGHTING CREATES AN OUTDOOR SPACE THAT FEELS JUST AS COZY AS ITS INTERIOR COUNTERPAR­TS. THE CONTINUOUS LINE OF LIGHTS FROM INSIDE TO OUT, ALONG WITH THE OVERHANGIN­G ROOF AND CEILING, ADDS TO THE HOME’S INDOOR- OUTDOOR FEELING. OPPOSITE, TOP: THE PRIMARY BEDROOM’S FLOOR- TO- CEILING WINDOWS GIVE THE SPACE A FANTASTIC VIEW OF THE COURTYARD. A SMALLER WINDOW ON THE RIGHT WALL SHOWS HOW THE HOME IS TUCKED INTO THE RETAINING WALL. OPPOSITE, BOTTOM: THE HOME’S PRIMARY BATHROOM FEATURES A LARGE SKYLIGHT ALONGSIDE AN UPPER WINDOW ABOVE THE BATHTUB. “THE SKYLIGHT OVER THE SINKS BRINGS IN [ ADDITIONAL] LIGHT AND BALANCES THE LIGHT OUT IN THE ROOM,” SAYS JOHN.

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