Austin American-Statesman

‘Cinema Six’ funny but vulgar buddy film

Potts

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the Blue Starlite Drive-In at Austin Studios.

The guys at Stanton Family Cinemas aren’t exactly boys. They just act like it. But unlike many recent comedies that track foot-dragging, man-children doing their best to escape the gravitatio­nal pull of adulthood, “Cinema Six” doesn’t focus on just one type of overgrown adolescent.

Gabe (Potts), unconfiden­t and ill-equipped to talk to women, has graduated from high school, but is leery of leaving town and going to college.

Dennis (Brand Rackley) made it to college, but has since dropped out and is reeling from a breakup with his adulterous fiancee.

Mason ( John Merriman) has seemingly made the most progress, but with one child at home and another one surprising­ly on the way, he spends late nights working at the theater with his buddies instead of tending to his domestic responsibi­lities.

Selix and Potts initially wrote the screenplay for characters of similar ages, but Potts says they realized the story was more compelling and resonant if the dilemmas spanned several stages of life. No matter where you are in life, there are always new challenges to face, new fears to conquer.

“I think it’s universal for everyone,” Potts said. “But I felt guys could watch it and identify with one character.”

Potts says the story of Gabe mirrored his high school years working in a movie theater. When he decided to leave his small pond in Oklahoma, where filmmakers are a rare breed, and follow his wife to Los Angeles to pursue his career, he identified with Dennis.

And now that he is settled in L.A. (working for Break.com), he reckons he will begin to see things through Mason’s eyes once he and his wife decide to make a family.

Potts, a native of Enid, Okla., graduated from the University of Oklahoma and met Kelly Williams and John Merriman when he brought his short, “Through the Love of Family,” to the Austin Film Festival in 2008.

Williams came on board to produce “Cinema Six,” along with Don Swaynos (who also edited the film), and the group began scouting in Oklahoma. But when they came across the Hometown Cinemas in Lockhart, the team knew they had found the perfect home for their movie.

“Everything just fell into place, and I think it worked out for the best in the end,” Potts said.

The cinema served as the primary shooting location, where the crew worked 12-hour days, some nights staying late to screen movies for fun. One cast member said the experience felt like summer camp.

That sense of camaraderi­e conveys on-screen with the trio of friends. The guys in the film fire off profanity-fueled insults at one another (I lost track at 175 when counting the number of

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