Baltimore Sun Sunday

Moody blooms

- By Kim Cook

know that what brews in fashion percolates into decor. This fall, it’s floral prints loaded with depth and drama.

Anna Sui’s fall 2017 show was replete with deep, moody florals on velvet, silk and chiffon. Recent collection­s from Dolce & Gabbana, Marc Jacobs and Miu Miu have also featured them.

Now we’re seeing fall decor echoing the trend.

“These florals don’t hold back,” says designer Sara McArthur, formerly of Design Collective West and principal of her eponymous firm in Highland, Utah.

“They’re modern, cool and edgy. They’re romantic and rock ’n’ roll at the same time,” she says. “Florals, typically a feminine pattern, are transforme­d into more androgynou­s looks with the darker palette.”

Raun Thorp of the Los Angeles architectu­ral firm Tichenor and Thorp says, “The most inspiratio­nal dark florals were in the (2017 Spring/Summer) Dries Van Noten runway show by Azuma Makoto.”

The Japanese floral designer encased dozens of exotic blooms in backlit blocks of ice to showcase the moody, ethereal floral prints on the clothes.

“The fabrics in this collection would be a great starting point for a room’s palette,” Thorp says.

Vivienne Westwood and Alexander McQueen have dark floral carpets and cushions for The Rug Company

Westwood’s oversize rose and magnolia motifs have a painterly vibe. McQueen has placed a macro photo of a crimson poppy on a midnight background; the rug becomes abstract art for the floor.

“Reminiscen­t of still-life art from Holland and Germany in the early 1600s, there’s a surge of new stilllife floral wallpaper in 2017, echoing the moody baroque vibes of the Old World,” McArthur says.

Flavor Paper worked with floral studio Ovando and Skot Yobauje PhotograWe phy, both in New York City, to create a digital-print paper called Elan Vital that’s atmospheri­c and hyper-realistic. Another pattern, Vivid Victorian, transforms a traditiona­l floral print into something wild and dynamic as hotly hued blooms tumble on a sultry black damask background

Cole & Son, the British fine wallpaper manufactur­er, carries several patterns drawn from the midcentury archives of Fornasetti, the Italian design house known for witty, fanciful takes on 20th-century iconograph­y. They include Peonie (with bouquets in copper, burgundy and lime or red, magenta and orange); Pansee (with the flat-faced flowers rendered in broody metallics); and Frutto Proibito (in which monkeys cavort among fig tree flora).

“Who would think of Fornasetti for florals?” Thorp says. “They’re all done in dark and edgy color combinatio­ns that are more punk than prim.”

Cynthia Rowley’s Bird Watching design for Tempaper pares down a chinoiseri­e bird-on-floweringb­ranch motif to a silhouette of molten gold on an inky background

Add some drama to windows with The Shade Store’s evocative Desert Flower pattern in one of four saturated hues, including deep orange, blue and black

A modern version of Liberty of London’s rich Feather Bloom floral print graces a sofa, ottoman and swivel chair in a new collaborat­ion at Anthropolo­gie

And from Italian decor atelier MIHO Unexpected Things, there’s a whimsical collection of easy-to-assemble little boxes and mountable fiberboard cupboards printed with patchwork florals

Shapes like hardcover books, beetles and fish add to the boxes’ eclectic charm; use them to stylishly stow keys, makeup (one comes with a handy mirror) or just as decor.

 ?? ANTHROPOLO­GIE WWW.ALLMODERN.COM THE SHADE STORE ?? Marcel Wanders’ textile print Flower Bits, with flowers and butterflie­s, enlivens the pillows that make up this Moooi sofa (allmordern.com, $1,941). Liberty of London’s Feather Bloom floral print graces a seating collection this season at Anthropolo­gie...
ANTHROPOLO­GIE WWW.ALLMODERN.COM THE SHADE STORE Marcel Wanders’ textile print Flower Bits, with flowers and butterflie­s, enlivens the pillows that make up this Moooi sofa (allmordern.com, $1,941). Liberty of London’s Feather Bloom floral print graces a seating collection this season at Anthropolo­gie...

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