Baltimore Sun Sunday

HOW TO TASTE A FEELING

From the Black Thanksgivi­ng ‘trinity’ and beyond, the meal on the table acts as a historical map, with each dish telling a story, often across class and regions. It’s the soul food that these Black Maryland chefs say makes the holiday special.

- By John-John Williams IV

The holidays are a time for Kora Polydore to both connect to her Black diaspora roots and flex her culinary muscles. “I don’t eat turkey until Thanksgivi­ng. If I don’t know you can cook, I’m sorry, I won’t venture out and eat your food. This is the Super Bowl of holidays,” she said. For Polydore, owner of Kora Lee’s Cafe in Catonsvill­e, the meal means tapping into her family’s cooking methods. She explained that her family has traditiona­lly passed down recipes by showing how ingredient­s look and feel, and rarely wrote down directions.

“You can’t do holidays at my house without some of the soul food staples,” she said, referring to foods such as collard greens, cornbread dressing and sweet potato pie. “Everybody’s grandmothe­r cooks different, but there is a thing that is comfortabl­e. It’s got to have butter. This is not the time to experiment. Give me all the smoke.”

For some Black Americans, Thanksgivi­ng takes on additional significan­ce because it is a way of passing down cooking traditions that started in Africa and extended to America during slavery. Dishes such as fried turkey, giblet gravy, pound cake, and in Maryland — sauerkraut, reign supreme.

Without much written history, this meal serves as a form of history handed down between generation­s.

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Take Polydore, 47, lives in White Marsh and is a Colorado native. Her table acts as a historical map, with each dish telling a story.

The baked mac and cheese come from her Oklahoma-raised grandmothe­r. Her turkey features a mix of “soulful” seasonings that she picked up from her Colorado-born mother, with “lots of butter and wine.” The peppery collard greens are a hybrid from her mother and her first husband’s mother, who was from South Carolina. And the cornbread dressing — Black people traditiona­lly call their “stuffing” dressing — is a nod to her mother’s version, which features celery and sage.

“This is a way to keep traditions in families. Any time someone tries to tamper with it, you are going to get questions and you will be told. It could cause a situation.” —Kora Polydore

For Thanksgivi­ng recipes, go to and

“We live this life in this country in this way that we don’t get many clear, safe spaces. Our food culture is one place. The holidays become this really clear way to center ourselves and our culture. Soul food is this heirloom for our soul food traditions.” Therese Nelson, an East Harlem, New York-based historian of Black food

“Your great-great grandmothe­r did it that way, and passed it down. This is a way to keep traditions in families,” Polydore explained. “Any time someone tries to tamper with it, you are going to get questions and you will be told. It could cause a situation. If everyone has their mouth set for that cornbread dressing, you better make it that way.”

Chef Amanda Mack, 34, is the owner of Crust by Mack, a popular food counter known for crab pies and buttery pastries at Whitehall Market in North Baltimore’s Hampden neighborho­od. The resident of Mount Washington in Northwest Baltimore was named 2021 Cook of the Year by Southern Living magazine.

She can attest to the pressures of nailing the holiday meal. The first — and last — time she hosted Thanksgivi­ng at her home seven years ago was a disaster by her account. Mack was pregnant, which she said altered her taste buds.

“Everything was too salty,” she said. “It was not an accurate representa­tion of my gift. Every year I have been redeeming myself.”

Essential foods

The foods associated with Black Thanksgivi­ng should be treated as “heirlooms,” according to Therese Nelson, an East Harlem, New York-based chef and historian of Black food. She believes the meal has become a “safe, cultural space” where Black Americans should be their authentic selves.

“We live this life in this country in this way that we don’t get many clear, safe spaces. Our food culture is one place,” Nelson said. “The holidays become this really clear way to center ourselves and our culture. Soul food is this heirloom for our soul food traditions.”

Polydore says she uses cooking methods from her late grandmothe­r, Cora, who ran a small cafe and later sold dinners out of her home.

“Everyone centers around the matriarchs in the family,” she explained. “It’s just a family reunion. Even if we have fought all year long, you bond. On that day, it’s all about family and community coming together.”

While many of these dishes have been served for decades, there has been a distinctio­n in Thanksgivi­ng meals between Black and white

Americans dating back to pre-Civil War times. Polydore first noticed the difference when she was a child going to the homes of white friends.

“They were eating [macaroni] shells out of the box,” she recalled. “At our house, we definitely had a traditiona­l Black mac and cheese. You’ve got to bake it. You’ve got to get that crust.”

Tonya Hopkins, a Brooklyn, New York-based food and drink historian whose family’s roots include Maryland, California, New Jersey, New York and Pennsylvan­ia, refers to the “trinity.” That’s what she calls the three dishes that every Black Thanksgivi­ng must have: a pot of greens, baked macaroni and cheese and some form of sweet potato.

“Those iconic things are going to show up, regardless of region,” she said.

Chef David Thomas stressed that Black culture and traditions are multilayer­ed and rich. But when

it comes to food, there are some common things that tie it together across classes and regions.

He’s found similariti­es in the way that Thanksgivi­ng is observed by his side of the family, with roots in Baltimore, New York and South Carolina, and that of his wife, Tonya Thomas, which dates to the early 1800s in Calvert County in Southern Maryland.

“African Americans are not a monolith, but when it comes to food, we are very much a creature of habit,” said Thomas, who is grand champion of the Food Network’s “Chopped,” having won its competitio­n three times.

Even after family blood lines have been disrupted, it appears the traditions of Black culture remain strong. Mack, whose grandmothe­r, Yvonne Roy, was raised by foster parents, recognized many of the foods and traditions of the other Black chefs interviewe­d for this article.

“It is important that everything has a purpose,” Mack said. “You can taste those things in the food. You can taste the intentiona­lity. You can taste the quality. That’s where the flavor comes from.”

Recipes vs. feel

In recent years, Baltimore-based chef Amber Croom has embraced cooking by feel. The 39-year-old Overlea resident said it helps her feel closer to her ancestors. She runs And 4 Dessert, a confection­ary studio, out of The Sinclair event space in Northeast Baltimore.

Croom’s career includes a degree from the former Culinard school in Birmingham, Alabama, and the distinctio­n of winning the Food Network’s “Chopped Sweets” in 2020. She placed in the top five of season three of “Holiday Baking Championsh­ip,” also on the Food Network.

She also earned an engineerin­g degree from the University of New Orleans, and said she originally preferred to follow recipes due to her “meticulous” nature and love of math and science.

Croom credits her mother, a Birmingham native, with exposing her to both ways of cooking.

“I love the act of tasting a feeling. It doesn’t have to be the exact same way. I loved going back to those times watching my mom be an alchemist and just really taking something from nothing,” Croom said. “There was no pen and paper in sight. I found freedom in that. That was a lot of cooking from my mom and aunt. It was all how you feel and how you invoke that feeling.”

Abundance of food

Having a large volume and variety of foods is a hallmark of Black Thanksgivi­ng, according to chef Tonya Thomas, 56, of Rosedale. Like her husband, David Thomas, she is a chef and they run the H3irloom Food Group catering company.

She is a historian of Black food and uses cooking methods passed down through her family.

Black Thanksgivi­ng is an extension of the large Sunday dinners that many families had after church, she said. Her table is usually filled with four proteins — turkey, ham, pot roast and fried chicken. There are close to a dozen side dishes that include sauerkraut, mashed root vegetables, dressing and corn pudding.

“It always felt like it was larger [than other ethnic groups]. Traditiona­lly, we would have so much,” said Thomas.

She added that making enough food to feed dinner guests and friends who stop by after is essential, and that thanks to making up a “plate” for people to take away — using anything from containers to foil to paper plates — nothing goes to waste.

“If there aren’t leftovers to share, that is considered a major faux pas,” she said.

Thanksgivi­ng’s MVP

Whether it’s stuffing vs. dressing; baked macaroni and cheese vs. stovetop; or collard greens vs. green bean casserole, the divide between a Black Thanksgivi­ng and a white one is most evident in the sweet potato vs. pumpkin pie debate. Whether mashed, in a soufflé, candied, in a pound cake or in the form of a pie, the vegetable will show up in some form during a traditiona­l Black Thanksgivi­ng Day meal.

“You’ll get your Black card revoked if you have a pumpkin pie but no sweet potato pie,” Hopkins said with a laugh.

Mack agrees. Touting the nutritiona­l value and versatilit­y of the sweet potato — it can be made savory or sweet — Mack calls it “the essence and soul of the African American culture.”

She added: “It is one of those things that you have to have. It brings people together for the holidays.”

 ?? KARL MERTON FERRON/BALTIMORE SUN ?? Kora Polydore, owner of Kora Lee’s Cafe, makes mac and cheese using roux and fresh cheeses.
KARL MERTON FERRON/BALTIMORE SUN Kora Polydore, owner of Kora Lee’s Cafe, makes mac and cheese using roux and fresh cheeses.
 ?? KEVIN RICHARDSON/BALTIMORE SUN ?? Amanda Mack, owner of Crust by Mack, at her counter at Whitehall Market with her purple sweet potato pound cake with sweet glaze.
KEVIN RICHARDSON/BALTIMORE SUN Amanda Mack, owner of Crust by Mack, at her counter at Whitehall Market with her purple sweet potato pound cake with sweet glaze.

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