Rick Newman, 81

New York comedy club owner

Rick Newman, who opened Catch a Rising Star on the Upper East Side of Manhattan in 1972 and built it into a trendy club where Billy Crystal, Robin Williams, Freddie Prinze, Jay Leno and countless other comedians did some of their earliest work and sometimes returned to refine material, died Monday at his home in Los Angeles. He was 81.

Peter Martin, his partner in the Triad Theater, a Manhattan performance space, for the past 15 years, said the cause was cancer and complications of heart operations.

Newman had run a few other businesses, including a singles bar and a steakhouse, before he decided to try a comedy club.

“For the first time in my life I’ve got a reason why I was born,” he told United Press International in 1975, when Catch, as it became known, was drawing crowds and making careers. “It’s unbelievable. Sometimes I just want to bust.”

Budd Friedman, who died in November, had shown the way with the comedy club Improvisation (soon known simply as the Improv), which he opened in Midtown in 1963.

Newman made his new club — on First Avenue near East 78th Street — equally influential, serving up a hodgepodge of performers whose very unevenness was part of the fun.

“On any given night you may catch singers, comics, musicians, jugglers or animal acts ranging from near professional to downright awful,” The Daily News of New York wrote in 1973, four months after Catch opened. “Hope springs so eternal, an 83-year-old hoofer recently took a turn.”

The newspaper noted that a sign above the stage read, “All entertainers must leave the stage instantly if any objects are thrown.”

If some of those entertainers — especially on Mondays, an audition night that welcomed all comers — were not destined for greatness, others were.

One Monday discovery in the early years was Richard Belzer, who so impressed Newman that he became the regular emcee and worked at the club for seven years.

Crystal was another whose career took off at Catch.

“For years I was in a threeman comedy team and extremely anxious to go on my own,” he said by email. “I finally left the group and talked to Rick, and he gave me times right away.”

At first those were after-midnight slots, Crystal said, but the audience responded.

In an unpublished memoir, Newman recalled a pivotal night about four months into the life of the club. The place was getting decent crowds on weekends, he wrote, but “still did not have that star level of talent who was instantly recognizable to the public.”

One Friday night David Brenner, who already had a national profile thanks to appearances on “The Tonight Show Starring Johnny Carson,” came in just to see the show.

Newman said he asked Brenner repeatedly if he wanted to get up and do a few minutes of material. The comic declined at first but eventually relented, took the stage and did 45 minutes, to riotous response from the audience.

“Right at that moment in time, it was like BAM!” Newman wrote. “It was immediately cool to get onstage at Catch, and now we were no longer just presenting new talent.”

Other name comics followed Brenner’s lead, stopping at the club to work on new material. In 1979, entertainment writer Jack O’Brian noted in his column, “The Voice of Broadway,” that Williams, by then a star from the TV series “Mork & Mindy,” had recently stopped by and done “the longest stint ever at Catch a Rising Star, one hour and 10 minutes.”

Mark Krantz worked for Newman in the 1970s and early 1980s, managing the club and its bar.

“We all played jokes on each other,” he said. “Some maniac walked in with a raincoat and a Bible in his hand, and nobody helped me throw him out, so I threw him out. And that was Andy Kaufman.”

Kaufman, the offbeat comic who turned his timid, heavily accented “Foreign Man” character into a role on the sitcom “Taxi,” tried that character out at the club and — well, Foreign Man is, comedically speaking, an acquired taste.

“He did Foreign Man until the audiences were booing and walking out,” Newman recalled in 1982. “But then suddenly he broke into his incredible Elvis imitation and caught us so completely by surprise that we ended up crying, we were laughing so hard.”

Rick was born Irving Newman on Feb. 21, 1941, in the Bronx. His father, William, made ties, and his mother, Martha (Zipper) Newman, was a homemaker.

He grew up in the Bronx and studied graphic design at the School of Industrial Art (now the High School of Art and Design).