Baltimore Sun

Lamp base is not painted by renowned artist Kauffmann

- By Helaine Fendelman and Joe Rosson

Q: Attached are photos of the front, back and enlarged section of an old lamp that was originally a vase. It has been in my family for over 7 5 years. I believe it is hand-painted and signed by the artist. Any informatio­n would be appreciate­d. A:

Some call Angelika Kauffmann the “Female Raphael of the Arts,” and she was one of the most celebrated woman artists as of her day. She born in 1741 in Chur, Switzerlan­d (now present-day Graubunden).

At birth she was named Maria Anna Angelika Kauffmann. In English she is known as “Angelica Kauffman.” She called herself a “history painter,” worked in the neoclassic­al style and was known for her portraits and landscapes. She initially painted in Rome and Naples, where she painted portraits of some prominent English visitors.

She was very successful, and at the urging of Lady Wentworth (aka Lady Bridget Wentworth Murray) she moved to London, where she continued her success.

She became a friend of the royal family and Sir Joshua Reynolds, who called her “Miss Angel.” There are historical rumors about the 20-something woman and the much older man (by 17 or 18 years), but there is little to no proof of anything untoward happening.

Kauffman was one of the founding members of the London Academy in 1768 and exhibited paintings in their events. She was also known for her singing voice, which was said to be comparable to

the best Roman virtuosi. Upon Kauffman’s death in 1807, celebrated sculptor Antonio Canova designed her funeral in the manner of the one held centuries earlier for the Renaissanc­e painter Raphael.

The image on the covered urn/lamp base is based on Kauffman’s work, but it was not executed by her hand. Without any marks, we have to speculate that the piece was made sometime between the 1890s and the 1920s in the style of Royal Vienna.

Overall, the piece appears to be closer to the 1920s. The brass base is typical of the first quarter of the 20th century and is similar to ones found on lamps from the 1910s to the 1920s. The decoration is in the neoclassic­al style of Angela Kauffman, but is it is probably a transfer print based on her work. Some brush strokes may have been applied to the piece to make the work look more hand-painted.

Objects with Kauffman’s signature can be found readily in today’s antiques and collectibl­e marketplac­e. Boxes, plates, tea sets, urns, lamps, plaques, even furniture pieces feature decoration­s based on Kauffman’s work, bear a “Kauffman” signature and are collected as late 19th and early 20th century decoration. Single lamps bring about $150 at retail, but pairs are more sought after and can bring $400 and up.

Helaine Fendelman and

Joe Rosson have written a number of books on antiques. Do you have an item you’d like to know more about? Contact them at Joe Rosson, 2504 Seymour Ave., Knoxville, TN 37917, or email them at treasures@knology.net. If you’d like your question to be considered for their column, include a high-resolution photo of the subject, which must be in focus, with your inquiry.

 ?? COURTESY ?? The signature on this lamps is that of Angelica Kauffman — but is it actually her signature?
COURTESY The signature on this lamps is that of Angelica Kauffman — but is it actually her signature?

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