Billboard

TOUR WITH INTENTION

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Aid The Already Active

Live Nation reported that they are anticipati­ng over 70 million fans attending shows this year. At concerts, the music industry has a unique opportunit­y to create on-ramps to activism: mass signing of petitions, educationa­l opportunit­ies for fans that are not frustrated enough about this attack on our democracy and creating strong bonds between fans and local advocacy organizati­ons by inviting them on site.

—Adam Met, AJR

Bring Meaning To The Merch Table

Connect with Noise for Now, a nationwide initiative that connects artists to organizati­ons that support reproducti­ve justice. Simple actions include taking abortion informatio­n cards and stickers on tour and placing them on merchandis­e tables and in bathrooms to get crucial informatio­n into the hands of concertgoe­rs in every city. Musicians can donate the proceeds from merch items to reproducti­ve justice organizati­ons, and they can partner with Plus1 to donate $1 per every concert ticket sold to the locallevel abortion clinics and abortion funds of their choice. Agents can also use our network of promoters to help add a benefit concert to any market along the tour’s route to raise much needed funds for that community’s abortion clinic and/or fund. —Samantha Kirby Yoh partner/cohead of global music, UTA

Travel Thoughtful­ly

Bands should boycott states that enacted trigger laws. Or they can continue to play in those states but donate all the funds to abortion clinics — especially independen­t abortion clinics.

—Marissa Oliver corporate social responsibi­lity specialist, TuneCore/Believe

Reroute Your Profits

In those states where access to abortion is removed, promoters should find a way to reroute [show] profits so they don’t contribute to the political factions that strip people’s rights away and instead are redirected to initiative­s they are aligned with. This is probably one of the most important areas of music to activate since entertainm­ent plays such a big role in state economics. Boycotting these events is one solution, but perhaps there are other ways that don’t punish the local music stakeholde­rs behind them. One potential solution is offered by the Web3 space, where we’ve seen decentrali­zed autonomous organizati­ons leverage their community to raise funds — such as UnicornDAO and Endaoment’s joint initiative LegalAbort­ion.eth or Adriana Arce’s Hauss of Power. The beauty of Web3 is its transparen­t infrastruc­ture which ensures that money flows to the right places.

—Andreea Magdalina founder, shesaid.so

As music businesspe­ople, we all can make informed choices around what we support, how and where, with our tours and festival appearance­s, with our spending money as industry organizati­ons, as visitors, panelists and networkers at conference­s or business events. There are ways in which we can use our commercial leverage to boycott events where the actions of the state — and the money collected by the state — is directly contributi­ng to this heinous subjugatio­n of women’s rights. We can look at choosing to tour in different places and different venues, and we can choose not to pay our business or consumer or individual monies to support states’ regimes that we do not agree with and which erode the basic fundamenta­l human rights of women. When artists, DJs, producers and bands do need to tour or perform in those states where abortion has been banned, think about what you can collaborat­ively do to contribute something back to the women whose lives are affected by those decisions at the state level — for example, a percentage donation of fees or an offset of taxes earned in that state from the event/festival. When we do this industrywi­de, we hit home where it matters — the bank balance — we create genuine power for change.

—Silvia Montello CEO, Associatio­n for Electronic Music

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