Billboard

A K-POP ‘SUCCESSION’ DRAMA

One of the genre’s original forces, SM Entertainm­ent, is embroiled in a public battle involving its powerhouse founder and HYBE

- BYJEYUPS.KWAAK and GLENNPEOPL­ES

SEOUL — The bitter battle for control of K-pop’s fabled agency SM Entertainm­ent has spilled out publicly like an episode of HBO’s Succession. K-pop’s largest agency, HYBE — home to boy band BTS — is pitted against the management of SM, which for years was South Korea’s dominant K-pop company. But as SM’s Lee Soo-man sided with HYBE against the company he founded, a corporate shakeup has turned into a battle royale.

SM sought to maintain its independen­ce through a partnershi­p with Kakao, a South Korean internet giant that has acquired several entertainm­ent agencies. In February, Kakao said it would buy a 9.05% stake in SM — against the wishes of Lee, SM’s charismati­c founder and rock singer-turned-mogul, whose equity in SM allowed him to challenge the purchase in court. About a week later, Lee — a controvers­ial figure who helped build the K-pop business over the last three decades but has been convicted of embezzleme­nt in the past — privately approached HYBE founder and chairman Bang Si-hyuk, offering to sell about 80% of his shares to HYBE, with an option to sell the remaining chunk at a later date, according to a person with direct knowledge of the matter. HYBE now has a 15.8% stake, making it the largest shareholde­r. Since then, the companies have traded almost daily salvos.

After a March 3 provisiona­ry injunction upheld Lee’s court challenge, Kakao announced it had canceled its investment in SM. HYBE is appealing to SM shareholde­rs to back its board nominees and vision for the company. SM sees the move as a hostile takeover and is asking shareholde­rs to appoint independen­t directors. The clock is ticking before a March 31 annual shareholde­r meeting.

Both HYBE and SM have grand ambitions to expand K-pop and take on the major labels globally. HYBE increased its revenue 125% to 1.78 billion won

($1.41 billion) from 2020 to 2022, largely by acquiring Ithaca Holdings in 2021 for $1.05 billion and giving its founder, Scooter Braun, the reins to its U.S. operations, HYBE America. In February, HYBE America made its first major move, acquiring Atlanta-based hip-hop company Quality Control Music for $300 million.

SM hopes to more than double its 2022 revenue of 850 billion won ($644 million) to 1.8 trillion won ($1.36 billion) by 2025 through a mix of partnershi­ps and acquisitio­ns, which include acquiring a U.S. management company and, by the second half of 2024, launching its first U.S.-based artist. “Our plan is not limited to local activities of Korean artists,” co-CEO Tak Young-jun said in a Feb. 23 video.

But SM — minus its powerful founder — doesn’t intend to take the world stage with HYBE’s help. It had envisioned Kakao as its preferred partner in a mission it has said it will still push forward with — dubbed “SM 3.0” — to expand outside of Korea and build outposts in Japan, Southeast Asia and the Americas.

A HYBE acquisitio­n of a controllin­g interest in SM could potentiall­y face regulatory scrutiny from South Korea’s

Fair Trade Commission since it exceeds 15% of SM’s stock ownership. In 2022, HYBE sold 26.8% of albums sold in Korea, and SM 19.1%, according to Korea chart company Circle Chart.

Though few had predicted such a dramatic unraveling, SM was overdue for a transforma­tion. Once the leading K-pop innovator, SM has debuted just one completely new act, Aespa, in the last five years. It continues to operate through a single pipeline with Lee at the helm of artist management and production, while rivals like HYBE and JYP Entertainm­ent have diversifie­d their portfolios, relying on multiple teams that produce more acts with more independen­ce.

SM’s shares have been chronicall­y undervalue­d, industry observers say, due to an arrangemen­t where the company paid producing fees to a separate entity owned by Lee. SM paid Lee 24 billion won ($18.1 million) in 2021, equivalent to more than a quarter of SM’s operating profit that year.

The board of directors, packed with

Lee allies, allowed the practice to continue for years, until Align Partners Capital Management, a private equity firm, led a shareholde­r revolt last year. Lee, who now holds about 3% of SM shares, appears headed out the door. HYBE and SM say that his role will be reduced if not completely phased out.

“It’s hard to put up a resistance in Korean culture,” Lee Changhwan, CEO of Align Partners, says about the difficulty in overriding a founder and company’s biggest shareholde­r. “The governance structure has to go through fundamenta­l changes.”

South Korean stocks are often undervalue­d, analysts say, since some companies can seem to be managed for the benefit of founders and families to the detriment of general shareholde­rs. Still, in the HYBE-SM power struggle, SM shareholde­rs appear to have won either way: The March 7 share price of 149,700 won ($113.84) is up over 116% since Oct. 14.

The 70-year-old Lee, who founded SM in 1995, has been credited with making K-pop what it is today. In 2000, SM became the first K-pop agency to list its shares publicly.

Lee’s artistic vision and drive didn’t make up for the company’s corporate governance problems, however. Shareholde­rs have in recent years slammed SM for losses from nonmusic businesses such as a winery and restaurant­s, while Lee was still getting his producer’s fees. Several SM acts have seen members leave acrimoniou­sly over what they called harsh training and “slave contracts,” resulting in government interventi­on, including shorter contracts for K-pop trainees and stars.

In 2002, Lee made headlines when he fled the country to escape prosecutio­n while facing embezzleme­nt allegation­s. He eventually surrendere­d to Korean authoritie­s and was convicted for siphoning off company funds during a recapitali­zation round. (In 2007, he received a presidenti­al pardon.) SM has also paid fines for tax evasion, most recently in 2021.

In a statement to Billboard, HYBE says its SM acquisitio­n was made “following research on the corporate fundamenta­ls, including publicly disclosed informatio­n about SM.”

 ?? ?? Bang (left) and Lee
Jo Twist was named CEO of British music industry trade organizati­on BPI. Middle East streaming service Anghami was sued for copyright infringeme­nt by
Reservoir and PopArabia.
Bang (left) and Lee Jo Twist was named CEO of British music industry trade organizati­on BPI. Middle East streaming service Anghami was sued for copyright infringeme­nt by Reservoir and PopArabia.

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