Billboard

FIFTY FIFTY

ATTRAKT CREATIVE CONTENT GROUP

- —JEFF BENJAMIN

After taking off on TikTok, FIFTY FIFTY’s second single, “Cupid,” cracked the Billboard Hot 100 in March. It shocked many in the K-pop scene — not just because the quartet was only four months into its career and had 18.9 million official U.S. on-demand song streams, according to Luminate, but because it’s the first group to debut under ATTRAKT Creative Content Group.

The company calls its newcomer status an advantage. “We are a small team that benefits from achieving faster results with more flexible decision-making processes,” explains

SIAHN, founder/CEO of The Givers, a creative K-pop consulting firm that also manages FIFTY FIFTY alongside ATTRAKT. “Unlike traditiona­l K-pop companies, we approach our artists with flexibilit­y and personal communicat­ion, resulting in more authentic and natural performanc­es from the girls. Our streamline­d communicat­ion structure is something that larger companies often lack due to their complex organizati­onal hierarchie­s.”

FIFTY FIFTY’s name references its complement­ary styles on each release.

Debut EP THE FIFTY included the hard-hitting girl-power anthem “Log In” and dreamy, R&B-pop love song “Higher,” while the Korean version of “Cupid” had a rap to draw in K-pop fans as well as a rap-less English version serviced to internatio­nal audiences.

Members Saena, Keena, Sio and Aran (who range from 18 to 20 in age) want to keep growing and “broaden our musical spectrum,” Aran says. To that end, for the group, ATTRAKT is shying from the traditiona­l K-pop business arrangemen­ts that tend to bind artists to their labels’ establishe­d modes of promotion and

management. “We plan to propose a new label structure for FIFTY FIFTY — a separate label for them, solely concentrat­ing on the artist’s developmen­t,” says SIAHN. “K-pop companies have an entrenched ‘artist-agency’ relationsh­ip, which poses a significan­t obstacle to an artist’s long-term global expansion. To overcome this persistent problem, The Givers is exploring a structure where the label directly contracts with the artist while the main producer oversees the creative aspects of the group and collaborat­es with the label.”

 ?? ?? LISTENTO “Cupid,” “Higher,” “Lovin’ Me,” “Log In”
LISTENTO “Cupid,” “Higher,” “Lovin’ Me,” “Log In”

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