Box office ‘Mission’ accomplished
NEW YORK — Tom Cruise sped past Winnie-the-Pooh at the box office to lead all films for the second straight week with an estimated $35 million in ticket sales for “Mission Impossible — Fallout.”
The success of Paramount Pictures’ sixth, stunt-filled “Mission: Impossible” install- ment, along with muted enthusiasm for the Walt Disney Co.’s “Christopher Robin,” made for a seldom-seen result: a Disney movie debuting in second place.
In a year where the studio has already notched three $1 billion films worldwide (“Black Panther,” “Avengers: Infinity War” and, as of this week, “Incredibles 2”), the more modest Winnie-the-Pooh live-action revival opened with a relatively ho-hum $25 million. As a reminder that “Christopher Robin” was a minor release for Disney, “Black Panther” yesterday became the third film to ever cross $700 million domestically, a feat only previously accomplished by “Avatar” and “Star Wars: The Force Awakens.”
Made for an estimated $75 million, Marc Forster’s “Christopher Robin” stars Ewan McGregor as a grownup Christopher Robin reunited with the beloved characters of the Hundred Acre Wood: Pooh, Tigger, Piglet and the rest (who are rendered digitally but convincingly felt-like). While reviews were mixed, audiences gave it an “A’’ CinemaScore.
Cathleen Taff, head of distribution for Disney, said there’s room for nontentpole releases in the Disney slate.
“It’s one of our smaller films and it’s really focused on character and emotion,” Taff said. “We’re happy with where it’s at and we think it’s got some runway being one of the only family options going forward.”
Taff confirmed that “Christopher Robin” has been denied a release in China, locking the release out from the world’s second largest film market. While China provides no reason for the films it doesn’t select for its theaters, government sensors have recently been blocking images of Winnie-the-Pooh after bloggers began using him to parody Chinese president Xi Jinping.
The late-summer success of “Mission: Impossible” — which has made $124.5million thus far along with $205 million internationally — is helping solidify a comeback summer for Hollywood. The summer box office is up 10.6 percent from last year’s record-low season, according to comScore, and yearto-date ticket sales are up 8 percent.
“As we head into what is almost always the slowest weekend at the summer box office, we have some nice momentum going,” said Paul Dergarabedian, senior media analyst for comScore. “With a 10.6 percent increase over the summer last year, we’re going to maintain a solid advantage when we get to the end of the month.”
Not all the news was great. Comedy continues to struggle. The R-rated action-comedy “The Spy Who Dumped Me,” starring Mila Kunis and Kate McKinnon, debuted in third with $12.4 million for Lionsgate.
And a pair of poorly reviewed releases sputtered. Fox’s young-adult dystopian thriller “The Darkest Minds” (19 percent “fresh” on Rotten Tomatoes) opened with $5.7 million on 3,127 screens. And right-wing filmmaker Dinesh D’Souza’s “Death of a Nation” (0 percent “fresh” on Rotten Tomatoes) debuted with $2.3 million on 1,032 screens.
Estimated ticket sales for Friday through yesterday at U.S. and Canadian theaters, according to comScore. Final domestic figures will be released today.