Boston Herald

Characters, plot flow in ‘Sugar Run’

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Flawed people and a forceful look at an area ravaged by an economic downturn and a rising opioid epidemic meld in the characterd­riven “Sugar Run,” Mesha Maren’s novel debut. At 35, Jodi McCarty is getting her first taste of freedom when she’s released from prison after being convicted at 17 for shooting her girlfriend, Paula Dulett. Before Paula, the only person who had been kind to Jodi was her grandmothe­r, Effie. The aimless crosscount­ry trek, including a dip into Mexico with Paula, was the closest to happiness Jodi had known, savoring the “delicious, unfamiliar risk” of each day. The couple supported themselves with petty crimes and Paula’s skills as a poker player. Paula’s intoxicati­ng talks about how a good poker hand is a “sweet sugar run” has Jodi rememberin­g her West Virginia home, and how she wants to return to the landscape of “flashing mountain creeks that appear out of nowhere after a good rain.” The relationsh­ip with Pau- la — and its violent end — preys on Jodi’s mind as she begins her new life, hoping she can fulfill her dream of settling on the land once owned by her grandmothe­r. Then Jodi meets and falls for Miranda Matheson Golden, who is separated from her husband, a country music star “of receding fame.” Along with Miranda’s three sons, the new couple heads for West Virginia, where Jodi remembers “even the air around her had felt right.” Along the way, Jodi hopes to find Paula’s younger brother, Ricky, who was abused as a child. “Sugar Run” gains its strength from Maren’s uncompromi­sing storytelli­ng and her insistence on showing even the most painful realities, especially when Jodi finds her grandmothe­r’s land “ripe with disuse.” Maren seamlessly moves “Sugar Run” from 1988 as she describes the deteriorat­ing romance between Jodi and Paula to the present with the newly released Jodi, who always considered herself a victim and is now desperatel­y trying to make better choices with her life and her heart. Jodi is constantly weighed down by her past, and her future with the complicate­d and unstable Miranda. Jodi fears her grandmothe­r was correct — “the future was only a parallel of the past.” Jodi’s salvation will be if she can rise against her past.

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