C.Y. Lee, 102, novelist penned ‘Flower Drum Song’
C.Y. Lee, whose novel “The Flower Drum Song” became a best seller and the basis for a popular stage musical and Oscar-nominated film despite mixed critical reactions and concerns about stereotypes, has died at age 102.
Mr. Lee’s son, Jay Lee, told The Associated Press that his father died Nov. 8 in Los Angeles. The family decided at the time not to make his death public.
“The Flower Drum Song,” a story of generational conflict set in San Francisco’s Chinatown, came out in 1957, and quickly became a popular read. The New York Times’ Idwal Jones praised Mr. Lee’s “objective eye,” but also faulted the book for its absence of “deeper notes” and its affinity for “slang and sex” and “popular taste.”
Mr. Lee’s debut novel attracted the attention of screenwriter Joseph Fields and composers Richard Rodgers and Oscar Hammerstein II. Their musical adaptation, originally directed by Gene Kelly, ran on Broadway from 1958-60 and was revived in 2002, with a book by “M. Butterfly” playwright David Henry Hwang. A 1961 film version, among the first major Hollywood productions to feature an Asian cast, received five Academy Award nominations despite being called by The New Yorker an “elaborate fraud” and a showcase for crude stereotypes.
Mr. Lee has since been praised as among the first Asian novelists to break through commercially in the U.S. and Hwang is among those who thought the book underrated. “Flower Drum Song” was out of print at the time Hwang worked on the Broadway revival and he had to track it down from a Seattle book seller.
A native of China who emigrated to the U.S. during World War II, Chin Yang Lee wrote several other novels, including “China Saga” and “Gate of Rage,” based on pro-democracy protests in 1989 centered on Tiananmen Square.
He spent more than a year writing “Flower Drum Song,” and at the time was renting a small apartment above a Filipino nightclub in San Francisco. He was employed at the time by a Chinese-language newspaper, for which he wrote stories for elderly readers. For his novel, he drew upon his observations about the difference between older immigrants and their more assimilated children.
“In Chinatown, I knew everything that was going on,” he told the AP in 2002. “Out of that I created characters, using everybody including my own family and my friends, plus a lot of invention from the air.”