Boston Herald

‘Bad Hair’ weaves a tale of satisfying comic horror

- James VERnIERE

You’ve heard of “The Stepford Wives.” Are you ready for “The Stepford Wigs”? From Justin Simien, the writer-director of “Dear White People,” comes “Bad Hair,” an African-Americance­ntered “hair horror” film to rival any hirsute demon out of J-horror.

“Bad Hair,” which opens to the tune of “I’m Your Puppet,” is set for the most part in 1989. The film taps into a true existentia­l reality: the pain and anxiety hair has given many members of our society, specifical­ly the people, not all of them Black, who are on familiar terms with such products as hair straighten­ers, hot combs, weaves and wigs.

Anna Bledso (Elle Lorraine) had a traumatic experience in her childhood involving a hair straighten­ing product that left her with a severe scalp burn and clumps of lost hair. As a young adult, Anna is an assistant to an executive at a primarily Black cable TV production company and had helped develop a popular music-video-based show titled “Culture.” One of the show’s VJ stars is a former production assistant named Julius (Jay Pharoah). Anna and Julius have had a thing going on. Anna’s longtime boss Edna (Judith Scott) steps aside to let Zora (Vanessa Williams), a former model with flowing locks, take the reins. Zora wants to reinvent “Culture” and find new on-air talent. The only thing holding ambitious Anna back in this world in which image is everything is her “nappy” hair.

But inspired by a makeover achieved by her Janet Jackson-like music idol Sandra (Kelly Rowland), Anna, whose family is full of Ph.D.’s well-versed in African-American folklore, including a story about a bewitched “moss-haired girl,” is persuaded to pay a visit to wig sorceress Virgie (a spooky Laverne Cox). Virgie sews a wig made from possibly demonic hair onto Anna’s head. At first, the results are positive. People are enchanted, Zora and Julius included. Anna gets a shot at being on-air talent.

But then some very bad things happen. The first involves the “thirsty” wig and Anna’s would-be rapist landlord. “Bad Hair” definitely has its moments. The special effects, which turns wigs into giant, tentacled monsters, especially, are a blast. But in addition to recalling the recent British offering “In Fabric,” “Bad Hair” is so derivative it might be called “Invasion of the Follicle Snatchers” or “Little Shop of Hair-ors.”

Lorraine, of TV’s “Insecure,” brings genuine vulnerabil­ity and appeal to Anna. What “Bad Hair” lacks in originalit­y, it makes up for with the special effects of Bryan Christians­en and Dan Schmit and comic turns by the likes of Lena Waithe as an overall-clad, on-air personalit­y named Brooke-Lynne and Dawson himself James Van Der Beek as a devious TV mogul.

If you’re a comic-horror buff, you should check out “Bad Hair” because, you know, “Hair” today, gone tomorrow.

(“Bad Hair” contains extreme violence and profanity.)

 ??  ?? SMOOTH LOOK: Anna (Elle Lorraine, bottom) gets a hair weave from Virgie (Laverne Cox) in order to succeed in the image-obsessed world of music television.
SMOOTH LOOK: Anna (Elle Lorraine, bottom) gets a hair weave from Virgie (Laverne Cox) in order to succeed in the image-obsessed world of music television.
 ??  ?? HEAD CASE: Anna (Elle Lorraine) is tormented by her demonic hair weave in ‘Bad Hair.’
HEAD CASE: Anna (Elle Lorraine) is tormented by her demonic hair weave in ‘Bad Hair.’
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