Boston Herald

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5 TV shows to get excited about this fall

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The fall TV season isn’t what it used to be — the other three seasons have long since caught up — but the months between now and year’s end still bring an embarrassm­ent of riches.Trust us, you won’t be without stories to discuss at the proverbial watercoole­r.

“American Crime Story: Impeachmen­t” (FX, Sept. 7)

He’s done O.J. Simpson. He’s done Gianni Versace. Now it’s time for uber-producer Ryan Murphy to reconsider yet another scandal from the ’90s with the long-awaited “American Crime Story: Impeachmen­t.” After several delays and false starts, the series will finally arrive boasting an all-star cast including Beanie Feldstein as White House intern Monica Lewinsky, Clive Owen as President Clinton and Sarah Paulson as Linda Tripp, the Pentagon employee who surreptiti­ously recorded her phone calls with Lewinsky. With playwright Sarah Burgess as showrunner, the 10-episode series is one of several recent projects to revisit this sordid saga in the post-#MeToo age, and it treats Lewinsky, who was involved as a producer, as a sympatheti­c protagonis­t rather than a punchline. — Meredith Blake

“Y: The Last Man” (FX on Hulu, Sept. 13)

Based on Brian K. Vaughan and Pia Guerra’s Eisner Awardwinni­ng comic book series, “Y: The Last Man” is set in a world where every single mammal with a Y chromosome suddenly and pretty horrifical­ly dies one day — except for a cisgender man named Yorick and his pet monkey, Ampersand. Besides the mystery around the tragedy and Yorick and Ampersand’s immunity, the survivors also have to figure out how to rebuild a functional society and maybe avoid human extinction. — Tracy Brown “The Big Leap” (Fox, Sept. 20) In 2014, a British docuseries recruited a group of averagesiz­e amateur dancers and trained them for a performanc­e of “Swan Lake.” This hourlong show fictionali­zes the endeavor with earnest emotionali­ty about life’s second chances and follows, among others, an unemployed man hoping to win back a spouse, a single mom trying to overcome depression and a famous athlete working to fix his reputation. Scott Foley adds humor and conflict as the producer of the show within a show. — Ashley Lee

“Queens” (ABC, Oct. 19)

This prime-time soap from “Scandal” writer and executive producer Zahir McGhee centers on the members of an allfemale ’90s hip-hop group who attempt to mount a comeback in their 40s. Though the premise sounds similar to “Girls5Eva,” the tone and approach is decidedly different and boasts real-life hit-makers Eve and Brandy in its cast. — Ashley Lee

“The Beatles: Get Back” (Disney+, Nov. 25)

“Get Back” is Peter Jackson’s hyper-extended happy cut of Michael Lindsay-Hogg’s downbeat 1970 film documentin­g the birth of the album that would be called “Let It Be,” seemingly along with the death of the band that was making it. LindsayHog­g’s movie, long offered as evidence that something was rotten in Pepperland, has been out of circulatio­n for years; Jackson’s version, which restores the album’s original title, argues that the Fab Four were having fun and working like a band in between the scenes of passiveagg­ression. Once intended for theaters, it comes to television as six hours spread over three nights. The restored footage, as seen in trailers, looks beautiful. — Robert Lloyd

 ??  ?? ‘QUEENS’: Four women in their 40s (Eve, Brandy, Naturi Naughton and Nadine Velazquez, from left) reunite for a chance to regain the swagger they had as the Nasty Bitches, their ’90s group that made them legends in the hip-hop world.
‘QUEENS’: Four women in their 40s (Eve, Brandy, Naturi Naughton and Nadine Velazquez, from left) reunite for a chance to regain the swagger they had as the Nasty Bitches, their ’90s group that made them legends in the hip-hop world.
 ??  ?? ‘THE BIG LEAP’: Teri Polo plays an aspiring dancer in the Fox series based on a British docuseries about amateur dancers being trained for a performanc­e of ‘Swan Lake.’
‘THE BIG LEAP’: Teri Polo plays an aspiring dancer in the Fox series based on a British docuseries about amateur dancers being trained for a performanc­e of ‘Swan Lake.’

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