Boston Herald

The best looks for spring on the New York Fashion Week runway

- Gretta MONAHAN

Last week, New York Fashion Week didn’t just come back, it came roaring back. After being sent largely online for the last few seasons, a decent portion of its presentati­ons were finally in person (while other contingent­s were either streamed online, offered as high-production videos or inperson but private visits).

We thought it was worth looking back at the full bounty of what was presented in all of the shows, and picking a few of the highlights. Here’s a snapshot of my five favorite, standout looks that I can’t wait to see worn once the weather starts getting warm next year.

Sandy Liang’s deconstruc­ted creamy, dreamy dress

There’s something extra cool about a dress that’s romantic to begin with, but has been meticulous­ly deconstruc­ted. That’s what’s going on with this number. With its off-white hue and flowy layers, it’s artful enough to be worn on its own with some delicate jewelry and heels to a patio party, and original enough to counterbal­ance a moto jacket and black boots.

Rodarte’s acid yellow fringe dress

Rodarte has long been a creator of magical, almost surreal pieces in the fashion arena, bringing a trippy California vibe and dovetailin­g it with modern colors, strategica­lly frayed fabrics and otherwise interestin­g spins on modern, handcrafte­d design. And that’s why the line’s all-fringe, allbright yellow frock caught my eye. I can’t wait to see one light up a party.

Brandon Maxwell’s shimmer meets leather look

It was a match made in runway heaven: Flowy, feminine silks and satins in psychedeli­c swirls and endless shimmer were paired with casual T-shirts and structured leather and croc pieces. And it worked best in a look I could see wearing from a work meeting straight to dinner out: a blue pleated, holographi­c silk maxi skirt paired with a robin’s egg-blue leather jacket.

Tom Ford’s head-to-toe purple

Ford truly loves to put on a show. And this one was full of celebrator­y color, sequins and silk cargo pants. I especially loved his head-to-toe lilac look — a deluge (and yet a still-very-wearable deluge) of deep purple knickers, a satin button-down shirt tied seductivel­y at the waist and velvet smoking jacket. Whatever is going on with COVID next spring, it’s a look with inperson presence and — dare I say it — true exuberance.

Adam Lippes’ minimalist separates

Sometimes you just can’t beat an impeccably made, solid color piece that moves just the way you want it to. That’s the practicalb­ut-ethereal sense you get from Adam Lippes in this latest collection, thanks to flowy and well-tailored pants in dusty rose, and white lace, pouf-sleeved blouses that evoke special occasions but are incredibly easy to toss on and wear just about anywhere.

 ?? GETTY IMAgES ?? SANDY LIANG: This deconstruc­ted romantic, ruffly dress can be dresses up or dressed down.
GETTY IMAgES SANDY LIANG: This deconstruc­ted romantic, ruffly dress can be dresses up or dressed down.
 ?? Ap ?? BRANDON MAXWELL: This holographi­c silk maxi skirt can go from work to dinner out.
Ap BRANDON MAXWELL: This holographi­c silk maxi skirt can go from work to dinner out.
 ?? GETTY IMAgES ?? TOM FORD: The contrastin­g textures of velvet and satin add interest to a monochroma­tic look.
GETTY IMAgES TOM FORD: The contrastin­g textures of velvet and satin add interest to a monochroma­tic look.
 ?? GETTY IMAgES ?? RODARTE: Bright yellow fringe can lift any mood.
GETTY IMAgES RODARTE: Bright yellow fringe can lift any mood.
 ??  ??

Newspapers in English

Newspapers from United States