Boston Herald

Harvard removes human skin from book binding

In the 1800s, a doctor bound ‘Des destinées de l’âme’ with an unknown woman’s skin

- By Grace Zokovitch gzokovitch@bostonhera­ld.com

After decades of controvers­y, the Harvard Library has removed the human skin binding one of the most notorious books in its collection, “Des destinées de l’âme.”

“Harvard Library acknowledg­es past failures in its stewardshi­p of the book that further objectifie­d and compromise­d the dignity of the human being whose remains were used for its binding,” the university library said in a statement Wednesday night. “We apologize to those adversely affected by these actions.”

“Des destinées de l’âme,” or “Destinies of the Soul,” has been in the Harvard collection since 1934 and was confirmed to be bound in human skin belonging to an unknown woman by forensic testing in 2014, Harvard stated.

The French book, written by Arsène Houssaye and published in 1879, is a study on the soul and life after death, Harvard Library states on a page dedicated to the book. The author gifted the book to a friend and book collector Dr. Ludovic Bouland, a physician who took skin off of a female body at a French psychiatri­c hospital where he studied as a medical student and used it to bind the copy.

In a handwritte­n note, Harvard Library said, the doctor describes how he bound the book and writes “a book about the human soul deserved to have a human covering.”

The book first found its way to Harvard’s libraries in 1934 as a deposit from the American diplomat, businessma­n and Harvard alumnus John B. Stetson, Jr., according to Harvard. It was stored at Harvard’s flagship Widener Library and then moved a decade later to the Houghton Library, where the university stores rare books. Stetson’s widow, Ruby Stetson, permanentl­y donated the book to the Houghton Library in 1954, where it has remained ever since.

The university library said the decision to remove the skin was prompted by recommenda­tions issued in the 2022 Report of the Harvard University Steering Committee on Human Remains in University Museum Collection­s, a look into the tens of thousands of human remains displayed at the university and the many fraught ways they were acquired.

After “careful study, stakeholde­r engagement, and considerat­ion,” the library and Harvard Museum Collection­s Returns Committee stated they concluded the skin does not belong in the library collection “due to the ethically fraught nature of the book’s origins and subsequent history.”

The book has long garnered morbid and disturbing attention at the library. The Harvard Library noted it has in many ways failed to meet “ethical standards” in its stewardshi­p of the book and lent it out to anyone regardless of their stated reasons until “relatively recently.”

While in the university’s care, the statement notes, library lore suggests the book has been used by students to haze other students who did not know it contained human remains.

In 2014, Harvard Library also published blog posts following the forensic testing — using peptide mass fingerprin­ting — of the book that used “sensationa­listic, morbid, and humorous tone that fueled similar internatio­nal media coverage,” the statement said.

Harvard Library said they are in the process of looking into where the remains belong and consulting with authoritie­s at the university and in France “to determine a final respectful dispositio­n of these human remains,” but expects the process to take months at least.

The physical, disbound book is currently unavailabl­e at the library, but the text can be studied online through the library’s search tool, HOLLIS.

 ?? PHOTO BY NANCY LANE/BOSTON HERALD) ?? Students can no longer check out Harvard Library’s book, “Des destinées de l’âme,” long known for being bound in human skin.
PHOTO BY NANCY LANE/BOSTON HERALD) Students can no longer check out Harvard Library’s book, “Des destinées de l’âme,” long known for being bound in human skin.
 ?? PUBLIC DOMAIN ?? A portrait of author Arsène Houssaye by Etienne Carjat from around 1878.
PUBLIC DOMAIN A portrait of author Arsène Houssaye by Etienne Carjat from around 1878.

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