Boston Sunday Globe

‘Harmony of Difference’ hums with color, contrast

- By Cate McQuaid GLOBE CORRESPOND­ENT Cate McQuaid can be reached at catemcquai­d@gmail.com. Follow her on Twitter @cmcq.

Collage is a scrappy medium, put together with this and that. In a satisfying collage, viewers sense tensions among disparate pieces even as they coalesce into a singular whole.

In his show at Alpha Gallery, the artist ransome works with collage, paint, and sometimes décollage — lifting or tearing pieces off, leaving ragged edges — to create portraits and abstractio­ns that jump and hum as they honor the love and resilience of Black Americans.

His images here are hopeful and tender, if occasional­ly tinged with sadness and grit. Working with cut paper and relishing pattern, he nods to Matisse. His penchant for collaged storytelli­ng recalls Romare Bearden.

Many artworks pay tribute to ransome’s family: He is the grandson of sharecropp­ers, and much of the family moved from North Carolina to points north during the Great Migration.

That includes his uncles, pictured in “The Brothers,” a jaunty portrait of three men on a sunny day posing in front of a clotheslin­e full of quilts. The colors sing: tangerine, lime green, sky blue. Most of this piece is painted, but one brother’s shirt is cut from patterned paper, and the contrast between the sumptuous painter’s touch and the flat clarity of the paper also feels musical, like a saxophone giving way to a snare drum.

In the “Love” series, ransome sets collage and décollage against grids of vinyl tiles with wood veneers. These depict tender exchanges. His subjects’ faces and arms are cut from black paper, making simple silhouette­s, but he garbs them in clothing of brilliant, dancing scraps — badges of their spirit. The contrast among the hard vinyl, the unadorned black paper, and the dazzling clothing keeps the eye bouncing.

The artist sometimes just gives way to the joyful impulse of crafting visual rhythms from color and pattern. “Purple rectangle and a piece of Rosie’s dress” pays tribute to his quiltmaker grandmothe­r, and has a riotous syncopatio­n similar to that in many Gee’s Bend quilts.

Quilts, like collages, are made of scraps — ransome’s work celebrates the glory that can grow out of what comes to hand when a little heart and vision is applied.

ART REVIEW

RANSOME: HARMONY OF DIFFERENCE

At Alpha Gallery, 450 Harrison Ave., through Nov. 2. 617-536-4465, www.alphagalle­ry.com

 ?? RANSOME/ALPHA GALLERY ?? From top: Ransome’s “The Brothers,” acrylic & collage on canvas; “Love #3,” decollage, collage & vinyl tiles on wood panel
RANSOME/ALPHA GALLERY From top: Ransome’s “The Brothers,” acrylic & collage on canvas; “Love #3,” decollage, collage & vinyl tiles on wood panel
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