Boston Sunday Globe

Boston’s first postcoloni­al mishoon burning is underway

See Indigenous tradition at a boat slip in Charlestow­n

- By Brittany Bowker GLOBE STAFF Brittany Bowker can be reached at brittany.bowker@globe.com. Follow her on Twitter @brittbowke­r and on Instagram @brittbowke­r.

When the sun rose over the Tobin Memorial Bridge in Charlestow­n on Oct. 31, it marked more than a new day for two local Indigenous tribes. It marked the first day of a historic undertakin­g: Boston’s first postcoloni­al mishoon burning.

A mishoon is a canoe made from a tree that’s crafted by means of a continuous, controlled burn. It’s an Indigenous tradition that’s been passed down through generation­s, and dates back more than 10,000 years. Mishoons were traditiona­lly a means of transporta­tion and intertriba­l exchange, and the 24/7 burns, which last up to two weeks, represent a sacred part of the mishoon-making process.

Andre Strongbear­heart Gaines of the Nipmuc Tribe and Thomas Green of the Massachuse­tt Tribe at Ponkapoag are behind the Boston effort. The mishoon that’s smoldering at the Little Mystic Boat Slip in Charlestow­n will be there until Nov. 13, or until it’s ready — whichever comes first. The site is open to the public, and members of the Nipmuc and Massachuse­tt tribes encourage everyone to visit. They’re there all day every day tending the fire in shifts. They sleep in tents and cook meals over the burning mishoon. They’re there to answer questions and educate.

“It’s cultural revitaliza­tion for tribal youth and adults, and also public education,” Strongbear­heart said of the project.

“This was a standard way of living for our ancestors. They did this regularly,” Green added.

Strongbear­heart, a cultural steward and leader for the Nipmuc Tribe, has helped facilitate mishoon burnings across the state for the last four years. He’s observed mishoon burnings since he was 10 or 11, he said, and credits his craftsmans­hip to his ancestors and elders, Annawon Weeden and Darrius Coombs of the Mashpee Tribe. Strongbear­heart also credits the people who pioneered similar cultural revitaliza­tion efforts when it was still technicall­y illegal for Native Americans to be in Boston less than 20 years ago.

Though it hadn’t been enforced in centuries, it wasn’t until 2005 that former governor Mitt Romney signed a bill repealing a 330-year-old state law that said Native Americans were not allowed to enter the City of Boston unless they were chaperoned by a “musketeer.” The law was enacted during King Philip’s War of the 1670s and condemned Native Americans to imprisonme­nt and worse if they violated it. The head of Wampanoag chief Metacom, also known as King Philip, was marched from Weymouth to Plymouth and put on a spike in front of the gates at Plymouth, where it remained for more than two decades, “to warn any other Indians that try to go against the colonists that this is what’s going to happen,” Green said. “And he wasn’t by any measure the last person this happened to.”

King Philip’s War pitted Indigenous communitie­s against New England colonists and is considered one of the bloodiest battles on US soil.

Considerin­g all this history, the mishoon burning is the perfect project for Boston, Strongbear­heart and Green argue. And that’s why they overcame so many obstacles to make it happen.

“This was five months in the making,” Strongbear­heart said, adding that the process of bringing the project to Boston was more difficult, bureaucrat­ic, and pricey than it’s been in other Massachuse­tts communitie­s. He had to find a location, secure permits and licenses, and line up insurance. But before all of that, Strongbear­heart went to Green and the Massachuse­tt Tribe.

“I would never come here and just burn out a mishoon in his territory, because I’m in Nipmuc. My tribe is in Grafton and Springfiel­d and even into Natick. But that’s why I reached out. This is what we’ve always done. We’ve always brushed shoulders with our sister communitie­s,” Strongbear­heart said. “It’s important we acknowledg­e each other before we talk to any bureaucrac­y because that’s what we did here for thousands of years.”

When Strongbear­heart and Green first pitched the mishoonbur­ning project to the city, it was denied. It’s illegal to burn an open fire in Boston, let alone continuous­ly for more than a week. But Indigenous communitie­s have federal treaties that supersede state laws, and the American Indian Religious Freedom Act of 1978 paved the way for them to burn ceremonial fires and honor other traditions. Strongbear­heart and Green also initiated a lot of community support.

“We got a bunch of players involved,” Strongbear­heart said, adding that they secured backing from the Emerald Conservanc­y, the Mount Grace Land Conservati­on Trust, and mem

‘In another couple of years, all the tribes . . . in Massachuse­tts and hopefully outside Massachuse­tts . . . will have these.’ THOMAS GREEN of the Massachuse­tt Tribe at Ponkapoag

bers of Boston’s Cultural Council. They were also awarded a $20,000 grant through Olmsted Now’s Parks Equity & Spacial Justice Projects. After delays and date changes, the project was finally approved.

The official project name is Communal Waters: Highways of Intertriba­l Exchange. Strongbear­heart and Green’s aim is to revitalize Indigenous culture and teach the public as well as continue to foster relationsh­ips among sister tribes throughout New England. Members from the Chappaquid­dick, Mi’kmaq, and Mashpee tribes have also volunteere­d to assist with the Nipmuc-Massachuse­tt joint burning.

At the site, Indigenous music plays. People spray the smoldering fire with spritzes of water, while others rest in tents. Visitors might notice a depiction of a colonist’s bloody head mounted on a spike — “in memorial of all North East Woodland Indigenous, who were murdered and beheaded by the English for public display,” a sign at the site reads.

“It’s not to create fear,” Strongbear­heart said. “Even though that’s why [the colonists] did it.”

So far, Strongbear­heart and Green said the Boston project has been mostly met with curiosity and respect. But some people have been aggressive. Strongbear­heart shared a video with the Globe of a man berating him and raising his voice at him.

“Why don’t you do this where you live?,” the man can be heard saying in the video. And later: “Hey, I didn’t beat up your grandfathe­r. Don’t give me [expletive].”

“For us to have to deal with that in this day and age in a space where we created a healthy environmen­t to relearn and just be who we are here? We shouldn’t be dealing with that in 2022,” Strongbear­heart said.

Strongbear­heart and Green encourage the community to come down: They’re eager to answer questions and talk. They hope this will be a first of many mishoon burnings in Boston.

“In another couple of years, all the tribes and bands in Massachuse­tts and hopefully outside Massachuse­tts as well will have these and can get on the water and meet each other like we used to, on the water,” Green said, adding that local Indigenous people were once part of a mishoon society, with vessels that could hold up to 40. “This is just the first one. We’re hoping to have a fleet.”

“It’s a lot of balance between water and fire,” Strongbear­heart said. “It teaches you so many lessons about patience and pain and happiness.”

“This work is food for the soul,” Green said.

 ?? PHOTOS BY ERIN CLARK/GLOBE STAFF ?? Dylan Lach stood guard while burning a traditiona­l mishoon (canoe) at the Charlestow­n Little Mystic Boat Slip. Below: Anoki Mann chopped firewood.
PHOTOS BY ERIN CLARK/GLOBE STAFF Dylan Lach stood guard while burning a traditiona­l mishoon (canoe) at the Charlestow­n Little Mystic Boat Slip. Below: Anoki Mann chopped firewood.
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