Boston Sunday Globe

A fictional world from the 19th century

- Nina MacLaughli­n can be reached at nmaclaughl­in@gmail.com

“Strange things happen in Athalinthi­a, always.” So opens “Athalinthi­a: Seven Stories,” an enchanting and recently uncovered new book by 19th-century illustrato­r, sculptor, printmaker, book designer, typeface designer, marionette maker, and kite flyer W.A. Dwiggins. When writer and book designer Bruce Kennett was working on a biography of Dwiggins, who lived most of his life in Hingham, he came across a folder in the archives holding a collection of stories Dwiggins had written and illustrate­d about the fictional land of Athalinthi­a. Kennett vowed to bring this book into the world, and a successful Kickstarte­r campaign allowed him to do so. The result is a series of adventures, beautifull­y illustrate­d and lushly colored. “Athalinthi­a” was a place beyond time and modern geography,” writes Kennett in the afterword, “where [Dwiggins] could set up conflicts and solutions among the inhabitant­s, give them picturesqu­e vocations, and make fanciful pictures to accompany his narratives.” The book brings together the Athalinthi­a stories for the first time, and includes much of Dwiggins’s artwork, his lush landscapes, his inked and etched cityscapes, and prints of nautical fantasy. In assembling the book, Kennett thought of himself as “Dwiggins’s agent across the gulf of time.” The work of this singular figure lives on in this lovingly produced volume.

Coming out

“After Sappho” by Selby Wynn Schwartz (Liveright) “The Poetics of Wrongness” by Rachel Zucker (Wave) “Deceit” by Yuri Felsen, translated from the Russian by Bryan Karetnyk (Astra House)

Pick of the week

Beth Reynolds at Norwich Bookstore in Norwich, Vt., recommends “The Presence of Absence” by Simon Van Booy (Godine): “I am in awe of the magic an author performs when they create a big book in the guise of a smaller one. Van Booy masterfull­y takes someone else’s words and alchemizes them into this beautiful spare offering — a sculptor carving away stone. Right from the very first page you feel a deep connection and at the end there is a profound sense of loss knowing that your time together is over. But as with a physical absence, this one stays with you like a quiet companion. Possibly shaping the way you move through each day, giving you a chance to see the world around you anew.”

 ?? ILLUSTRATI­ON BY W. A. DWIGGINS ?? An illustrati­on from W. A. Dwiggins’s recently uncovered and now published book “Athalinthi­a.”
ILLUSTRATI­ON BY W. A. DWIGGINS An illustrati­on from W. A. Dwiggins’s recently uncovered and now published book “Athalinthi­a.”

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