Boston Sunday Globe

Laura Pels, 92; was a devoted, generous backer of nonprofit theater

- By Daniel E. Slotnik

NEW YORK — Laura Pels, a leading benefactor of nonprofit theater through the Laura Pels Internatio­nal Foundation for Theater, which has helped a multitude of companies stage plays in New York City and beyond, died Wednesday at a hospital near her home in Manhattan. She was 92.

The cause was complicati­ons of COVID-19, said her daughter Juliette J. Meeus.

Ms. Pels took control of the foundation that now bears her name in a divorce settlement with media executive Donald A. Pels.

“I decided that I was going to do exactly what I wanted with it: Help the theater,” she told Playbill in 1995. She did just that, diligently guiding the foundation from the 1990s until recently.

“She was incredibly involved and ‘hands on,’” Hal Witt, the foundation’s former executive director and a member of the board, wrote in an e-mail, adding that Ms. Pels had “read all of the scripts that were submitted for funding.”

There were rules: Production­s had to be run by accredited nonprofit theaters; a full script, along with a 500-word statement, had to be submitted; and musicals need not apply.

Ms. Pels forged relationsh­ips with leading playwright­s like Arthur Miller, Edward Albee, and Harold Pinter, Witt said, and with artistic directors like André Bishop at Lincoln Center Theater, James Houghton at Signature Theater, and Todd Haimes at the Roundabout Theater Company.

Haimes, who saved the Roundabout from bankruptcy (and who died last month at 66), said in 1995 that “as traditiona­l sources of funding are drying up, a person like Laura who will sponsor production­s makes a huge difference to nonprofit theaters like ours.”

He added, “The fact that Laura is a creative person who can come up with her own projects and yet doesn’t tell us how to run the company is the nicest combinatio­n one could ask for in a supporter.”

Jack Brister, the foundation’s treasurer, said in an e-mail that during his 20 years with the foundation, it had granted more than $5 million to nonprofit theaters in the United States.

Josette Jeanne Bernard was born May 1, 1931, in Saint-Vivien-de-Monségur, a village near Bordeaux, France. Her parents, Raymond and Jeanne Yvette (Dauvignac) Bernard, were schoolteac­hers.

She grew up near Bordeaux and then studied mime and acting in Paris before she decided that the stage was not for her. (Her daughter Juliette said her mother changed her name to Laura in her 20s because she disliked Josette.)

At 25, she moved to London to study English and met Adolphe Meeus, a translator for the United Nations. They married in 1956. After living for a time in Ethiopia, the couple moved to New York City and divorced in the mid-1960s.

She married Donald Pels in 1965. A communicat­ions executive, he took control of Lin Broadcasti­ng in 1969 and served as its chair and president for the next 20 years.

In 1989, McCaw Cellular bought a controllin­g interest in Lin in a deal valued at more than $3 billion. Donald Pels’s personal profit was estimated at nearly $175 million (more than $420 million in today’s money).

Not long after, The New Yorker reported that Laura Pels and her husband had donated more than $1 million to help actor Tony Randall start the National Actors Theater, originally out of the Belasco Theater on Broadway, to present affordable shows by playwright­s like Henrik Ibsen, Anton Chekhov, and Miller.

The Pelses filed for divorce in 1993, and Laura Pels became the foundation’s leader. (Donald Pels died in 2014.)

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