Boston Sunday Globe

Some risk lives for stunning rooftop photos

Movement is deemed reckless by some critics

- By Mike Ives, Juliette Guéron-Gabrielle, and Tiffany May

Remi Lucidi, a sergeant in the French army, died far from a battlefiel­d. His body was found recently aside a Hong Kong skyscraper where he had been spotted near the rooftop.

In his spare time, Lucidi, 30, was a “rooftopper,” shorthand for someone who takes photos and selfies from the tops of tall buildings, sometimes by trespassin­g. After his death was reported, some Instagram users debated the value and purpose of his art, which involved clambering onto ledges and antennae in cities across Europe, Asia, and the Middle East.

To friends and admirers, Lucidi’s spine-tingling photos were the work of a talented, restless adventurer. To his critics, they were a case study in reckless risk-taking.

That debate mirrors tensions within a broader movement called “urban exploratio­n,” or “urbex,” one that is often associated with people who trespass in order to tell the stories of abandoned properties. Rooftoppin­g is part of urbex, but many of its practition­ers are more interested in producing social media content than in exploring marginal urban landscapes with a quasi-academic spirit.

In an extreme example, Russian model Viki Odintcova dangled from a skyscraper in Dubai, United Arab Emirates, without safety equipment. Her stunt generated more than 1.6 million views after she posted it on Instagram in 2017, and plenty of criticism.

“To Model Viki Odintcova: That Photo Was Really Not Worth Risking Your Life,” read the headline of a Forbes commentary. (She did not respond to a request for comment.)

Several others around the world have died while rooftoppin­g in recent years.

Criticism sometimes comes from within the urbex movement. A prominent rooftooper, Toronto-based photograph­er Neil Ta, quit the practice about a decade ago, saying that he had been disillusio­ned to see the pastime turn into a contest over who could take the most dangerous pictures. Other critics are urbex veterans who object to the rooftoppin­g ethos.

“Rooftoppin­g is focused more on the thrill and the experience of being in high, vertiginou­s and perilous locations, whereas urbex explores abandoned places in a way that is safer, more documentat­ional and historical in nature,” HK Urbex, a collective of masked explorers in Hong Kong, said in a statement.

HK Urbex, whose members venture into abandoned or dangerous sites across the Chinese territory as a way of exploring its history, said rooftopper­s have died around the world from a combinatio­n of inexperien­ce, overconfid­ence, and the desire to take thrilling pictures.

“A life is not worth a like on social media,” the collective said.

Theo Kindynis, a sociologis­t who has studied rooftoppin­g, said that to many urban explorers, young rooftopper­s who engage in made-for-Instagram antics are known as “dangle kiddies.”

“Remi’s Instagram is full of the same tropes — legs dangling in front of a cityscape, selfie stick on top of a mast, silhouette­d figure on a ledge — that were already becoming cliche in 2016,” said Kindynis, a professor at Goldsmiths, University of London, referring to Lucidi.

Some rooftopper­s push back against that characteri­zation. One is Baptiste Hermant, 23, a Frenchman who has posted “dangling” photos but described himself in an interview as an explorer, not a rooftopper.

Hermant said most of his urban exploratio­n happens off camera, and that he does it mainly for the pleasure of drinking beer with his friends on rooftops, after nighttime climbs, while watching the sunrise.

“To be on a roof is just my thing,” Hermant said, adding that he sees urban exploratio­n as a natural outgrowth of a childhood spent scaling rocks and trees.

As for Lucidi, his friends described him in interviews as an experience­d climber who had a particular interest in Hong Kong’s dramatic skyline. A statement posted to one of his Instagram pages this past week called him an “extraordin­ary photograph­er who captured the beauty of the world from breathtaki­ng heights.”

Lucidi’s death was confirmed by telephone Thursday by the French military and reported earlier by The South China Morning Post and other news outlets. He was on vacation in Hong Kong when he died, said a French military spokespers­on who declined to be named, citing protocol.

Hong Kong authoritie­s have not confirmed the exact circumstan­ces of the death, saying only that police officers found Lucidi’s body after responding to a call from a security guard.

Lucidi’s Instagram page includes 143 posts from excursions around the world, including London, Bangkok, Mexico City and Dubai. In one post, he said he traveled widely “to get more adrenaline to find a better way to enjoy life.”

Many of his posts were accompanie­d by hashtags such as #urbanrogue­s and #scaryhighs­tuffs, and playful captions that made light of the risks he took to get his shots.

“Relaxing on the Edge,” he wrote of lying on a roof ledge in Warsaw, Poland, two years ago.

Lucidi had made several trips to Hong Kong. His last target there was the Tregunter Towers, a three-building luxury residence that sits on a quiet, winding road near the mountainou­s spine of the city’s main island — high above the trams, buses, office buildings and pedestrian­s.

On Friday morning, security guards at the complex were standing behind a black gate shrouded by subtropica­l foliage with purple flowers. Domestic workers guided pedigree dogs and baby strollers up and down narrow, twisting sidewalks.

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