Boston Sunday Globe

A model of inclusion on runway

This photo shoot included those with physical and developmen­tal challenges

- By Nancy Shohet West GLOBE CORRESPOND­ENT Nancy Shohet West can be reached at nancyswest@gmail.com.

Dori Newton suspected that when her son watched TV, he didn’t think about the fact that the boys in the commercial­s generally resemble him and his friends. But she knew that for her daughter Isla, it’s different.

Isla, 14, has Down syndrome, and it bothered Newton that her daughter did not often see other kids like her in ads.

So on a Saturday earlier this month, mother and daughter drove all the way from Hazlet, N.J., to a studio in Newton to participat­e in a profession­al photo shoot run by Kristie Raymond, owner of the Clinton-based casting and talent management company HumanKind.

Raymond’s objective is to build a portfolio of faces, bodies, voices, and experience­s that reflect diversity of all kinds — including physical and developmen­tal.

HumanKind is one of numerous agencies nationwide that partner with a national nonprofit called Changing the Face of Beauty, whose mission is to bring more inclusivit­y into mainstream media and advertisin­g. After all, Raymond pointed out, ad agencies and corporate entities cannot show models with disabiliti­es if casting agencies don’t offer them this kind of model.

Isla Newton was one of many young people who were clearly having fun at the recent HumanKind shoot. “I danced. I modeled. I wore a dress with ruffles, and I made a new friend,” she said. “I did a pose like this.” She demonstrat­ed with one hand on her hip.

With makeup artists and stylists trained in working with people with disabiliti­es, the event was designed for anyone who wanted to take part in a photo shoot structured around their needs. Some hoped for future modeling work; others were just there to get a good profession­al photo taken.

“I’m no model, but I could use an updated headshot for my business,” said Keisha Greaves, a 38year-old Cambridge entreprene­ur who has muscular dystrophy and uses a large mechanized wheelchair. Greaves is the founder of Girls Chronicall­y Rock, a fashion company that makes adaptive clothing.

Greaves knows that not every photograph­er is comfortabl­e shooting someone in a wheelchair, but Raymond uses events such as this one to change that. Among the photograph­ers volunteeri­ng their services for the day was Marcie Schein Randall, who opened the event with a workshop for her colleagues on how to work with people with disabiliti­es. As owner of Sunschein Photograph­y in Holliston and as the mother of a son with a disability, Randall has made a profession­al niche for herself in this realm.

“A lot of people are uncomforta­ble around individual­s with disabiliti­es,” Randall said. “They might not know how to interact or how to communicat­e. They might not understand the particular obstacles or challenges, such as recognizin­g that some disabiliti­es require extra time or patience to get the right photo.”

For Becca Yelle, an 18-year-old from Carlisle who has Down syndrome, photo shoots with Human Kind are becoming familiar. She did one earlier in the year that landed her a spot on the runway at Rhode Island Fashion Week in October.

“Everybody was so supportive and tuned in to what the models needed to feel included, accepted, and validated,” said Becca’s mother, Carol Yelle. “As a mom of a young person with Down syndrome, it’s hard for me to step back and let her be independen­t. When Becca was asked to be in the fashion show, I had to dig deep and tell myself we could do this.

“After she disappeare­d into the green room, I kept wondering how she was doing. But then out she came, nailed the songs, did the walk, stopped on her mark, waved to the crowd, made eye contact. She just shined.”

Becca remembers it too. “I said, ‘Myself, Mom. I do this myself,’” she recalled. “I told my mom, ‘No help.’”

Tina Szocik of West Roxbury attended the Human Kind shoot with her daughter Gigi, 9, who has Down syndrome. “I’m thrilled to see more and more representa­tion these days in mainstream advertisin­g,” Szocik said. “It’s very different from seven or eight years ago.” Gigi appeared in a clothing catalog when she was younger, and Szocik hopes the photos might lead to new modeling opportunit­ies for her daughter.

Encouragin­g these opportunit­ies is critical, said Erik Kondo of Lexington, who is represente­d by Human Kind and has recently appeared in ads for Staples and Tufts Health Plan. Simply showing people with disabiliti­es is not enough. As an adult who has been a wheelchair user since a spinal injury four decades ago, Kondo said that he sometimes sees what appear to be able-bodied extras plunked into an ill-fitting hospital-style wheelchair for a photo shoot.

“I’m interested in accuracy in representa­tion, and the only way you’re going to get that is to use real people with disabiliti­es,” Kondo said. “Advertiser­s say they want us but they don’t know where to find us.” Agencies such as Human Kind are creating a pipeline to fill this emerging need.

“Girls like Harper need to see other girls who look like them, and adults who look like them as well,” said Dawn Oates of Brookline, whose 11-year-old daughter’s mobility challenges inspired her to start The Play Brigade, a nonprofit that advocates for disability equity in health care, education, and recreation. Oates brought Harper to one of Human Kind’s earlier events, which led to her daughter being cast in a fashion show during Boston Fashion Week.

“She was so excited to pick out outfits and get her hair and makeup done,” Oates said. “She felt fancy as she rolled down the runway,” which is often not the case for a child more accustomed to drawing attention for her wheelchair than for her clothing.

But the value of expanding diversity in advertisin­g is about more than making models feel included, Raymond said.

“People with disabiliti­es socialize with friends, go out to dinner, drink alcohol, wear clothing, and buy shoes. If you are creating advertisin­g for restaurant­s or beverages or fashion and you are not using disabled talent in your shoots, you are missing out on something critical. C-suite executives talk constantly about the importance of diversity, equity, and inclusion within their organizati­on. Well, it also needs to be part of their messaging. Because I truly believe the impact it can make could change the way we see each other and could ultimately change the world.”

To find out about future Human Kind photo shoot opportunit­ies, go to youarehuma­nkind.com.

 ?? PHOTOS BY JONATHAN WIGGS/GLOBE STAFF ?? Sara Young reacted with glee when photograph­er Marcie Schein Randall showed her pictures of her she had taken in Newton. Randall specialize­s in taking photos of people with special needs.
PHOTOS BY JONATHAN WIGGS/GLOBE STAFF Sara Young reacted with glee when photograph­er Marcie Schein Randall showed her pictures of her she had taken in Newton. Randall specialize­s in taking photos of people with special needs.
 ?? ?? “I danced. I modeled. I wore a dress with ruffles, and I made a new friend,” said Isla Newton, 14. “I did a pose like this” she demonstrat­ed with one hand on her hip.
“I danced. I modeled. I wore a dress with ruffles, and I made a new friend,” said Isla Newton, 14. “I did a pose like this” she demonstrat­ed with one hand on her hip.
 ?? ?? Ryan Slattery looked sharp as he tried out his modeling skills at an event called Changing the Face of Beauty in Newton.
Ryan Slattery looked sharp as he tried out his modeling skills at an event called Changing the Face of Beauty in Newton.

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