Boston Sunday Globe

In ancient rocks, a message that resonates still

- By Matjaž Krivic Matjaz Krivic is a documentar­y photograph­er from Slovenia. For the past two decades, he has traveled the world capturing stories about social and environmen­tal change.

STASSILI N’AJJER NATIONAL PARK, Algeria ome 10,000 years ago, Stone Age hunter-gatherers used the majestic rock formations of what is today a remote corner of the Sahara as their canvas. Their meticulous­ly drawn and carved pictures and petroglyph­s tell the story of how they lived, mourned, and worshipped, how they tended and hunted animals, and how their lives evolved across time. The so-called rock art in the Tassili n’Ajjer National Park mountain range in Algeria is a testament to human creativity and resilience.

In January 2023, when I traveled to this barren, sand-swept region that spans 27,000 square miles, I was immediatel­y struck by its resemblanc­e to what I imagine the surface of

Mars looks like, or the set of a “Star Wars” film — towering arched rocks and otherworld­ly sandstone structures rising from so much red sand, all of it created by nature herself.

The experience was awe-inspiring: the overwhelmi­ng silence, the vastness of the place that revealed itself with the sunrise, the wind that kicked up with the dawn. It is hard to grasp that this was once a fertile grassland where enormous mammals roamed. The stone carvings here depict those great beasts: elephants, rhinos, hippos, and giraffes.

Today, these ancient artworks are vulnerable to damage from human activity and environmen­tal change. Geopolitic­al instabilit­y in neighborin­g Niger and Libya is a threat.

Through these photograph­s, I aim to share not only the wonderment provoked by the World Heritage Site’s more than 15,000 drawings and engravings — what UNESCO calls “one of the most important groupings of prehistori­c cave art in the world” — but to show that hiding in plain sight, this outdoor museum is a portal to our shared history.

The artworks here remind us of the interconne­ctedness of humanity and the natural world. The drawings and carvings also show us how across the centuries, the people here maintained a harmonious relationsh­ip with an everchangi­ng environmen­t.

There is a lesson in their adaptabili­ty that resonates still.

 ?? MATJAZ KRIVIC ?? Abdullah, a guide in Algeria’s Tassili n’Ajjer National Park, looks toward “The Cathedral,” a towering naturally occurring sandstone structure.
MATJAZ KRIVIC Abdullah, a guide in Algeria’s Tassili n’Ajjer National Park, looks toward “The Cathedral,” a towering naturally occurring sandstone structure.
 ?? ?? Clockwise from top left, paintings of spear-bearing hunters; giraffes carved into rock remind us that this barren land was once lush; Abdullah points out a celebrated engraving.
Clockwise from top left, paintings of spear-bearing hunters; giraffes carved into rock remind us that this barren land was once lush; Abdullah points out a celebrated engraving.
 ?? ??
 ?? ??

Newspapers in English

Newspapers from United States