Calhoun Times

CHS student wins Young Georgia Authors competitio­n

- By Melanie Matul

Calhoun City Schools announced in September that Melanie Matul’s poem “Bridges” has been selected as a state-level winner of the 20192020 Young Georgia Authors Writing

Competitio­n.

Melanie is a rising senior at Calhoun High School.

Her teacher, Kelli

Deguire, described

Melanie as a “ball of energy and enthusiasm in everything she does. From academic team to debate to the classroom she is overpowere­d by a desire to know. Her writing reflects her own talents and her strong desire to combine her heritage and that learning that she seeks.”

The purpose of the Young Georgia Authors writing competitio­n is to encourage students to develop enthusiasm for and expertise in their writing, to provide a context to celebrate their writing successes, and to recognize student achievemen­t in arts and academics.

“We are extremely proud of Melanie for this outstandin­g accomplish­ment as she continues to strive for excellence in all she does,” said Peter Coombe, Calhoun High School principal.

Melanie’s prize-winning submission is below: everything will be the same as the stars live to die, the sunshine will shine in spite, the trees will sing in might nothing will change. bridges my mother speaks to me more in movement than in tongues

she laughs in sounds of smiling music and cries in dried rivers perhaps,

more to compensate the bridge between of what she believes me to be and of what i try to find myself to be (idk)

shaky, like the thunderous floor to a touch, a step, a dance intertwine­d and scared, of how easy it is to get lost on the bridge where the quetzales fly home for the season divided by myself, as i answer her with twisted words lost in the echoes of the tunnel beneath our stomping feet

to a tune i no longer remember how to sing

my mother tells the story of how i was born any time she can

she laughs in old music and blues of a country she has buried in her emptiness, as she never forgets to mention how she was lost in mentioning my second last name to the nurse mazariegos i answer in what i think is myself perhaps i am no longer myself perhaps, i no longer know how or what i find solace in an old memory of my “tia” later in the kitchen as she moves in a small limbs and forgotten dance

she teaches me how to make tortillas with fleeting movements and loud fingers

i learn slowly, surely, learning the notes of her song

as time leaves us in lovely stillness, i make and make and make

i laugh at the chaotic messiness of it all for it to create something

(i wonder if it’s a miracle i could recognize my hands through the white powder)

my culture comes as a shadow of the shame of my mystery

i try to move, to find the same life of it in a shell of a body i claim to be my own

sometimes i wonder what it’s like to live in colors of my own

one day, my father tells me about the marimba and it’s heartbeat that rings towards the sounds of his home, maybe to complete the

incomplete as i come

my language of unbalanced vowels and consonants can only take me so far across the bridge

where i inhale in tinkling staccato notes with no room for oxygen to share with the lemon trees of my father’s filled home, full of big memories and the melanin of 15 children

i inhale the sound of the marimba’s beat,

maybe to try to make music of my own

or maybe to make it my own heartbeat

i exhale from makeshift lungs made of enormous music

moving in soundless disasters made of blinding white then i stop. i sit down in reflection­s of puddles to find myself to only see reflection­s of white sun

i look out from the bridge towards blinding colors, wondering if i live in voiceless contradict­ions i am listening if it’s enough, i jump.

Bridges

 ??  ?? Melanie Matul
Melanie Matul

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