Just your typical classical cellists playing AC/ DC and Jimi Hendrix
Like such groups as the Three Tenors and the Three Graces, the 2Cellos mix classical crossover with good looks and a prime number in their name to create an excitement for music that fills halls with young fans.
But in addition to playing Vivaldi and Bach, the two Croatians — Luka Sulic, 28, and Stjepan Hauser, 29 — have created vivid cello-only versions of songs made famous by acts as unexpected as Michael Jackson and AC/DC.
Viral videos of that approach (their version of "Smooth Criminal" has been seen more than 17 million times since 2011, and their 2014 "Thunderstruck" nearly 54 million) landed the duo on a tour with Elton John, who said: "I can't remember seeing anything as exciting as them since I saw Jimi Hendrix live back in the '60s."
Now Sulic and Hauser are on their biggest U.S. tour yet.
The Washington Post talked recently with Sulic from the road in Atlanta about the duo's start, what they learned from touring with Elton John and how metal translates well to the cello.
Q: How many musicians are with you onstage?
A: The first half of the show is only the two of us. The second half, we add our drummer and it becomes a rock show at that point. It's basically a journey that starts like angels and ends as devils. We begin peacefully with classical and film music, and toward the end it goes crazy. It becomes wild. Then for the goodbyes, we also finish with classical music. It's a very varied show.
Q: Has classical music always been part of your approach?
A: When we grew up, we were classically trained. I started when I was 5 years old. ... But at some point, we wanted to do something different, do
our own arrangements and attract young people to this great instrument. When you play only classical music, you're playing notes that have been there for a few hundred years. We wanted something that was newer.
Q: When did you two meet?
A: When we were around 14. We are from the same country, and there are not many cellists there. So we met at a summer music camp — young, talented kids playing the cello. We were practicing like crazy. But we were sort of rivals, too, since we went to the same competitions and the same music camps. ... But we were always great friends if we did something together. We didn't see each other for a long time since he went to study in London and I went to Vienna. But then I came to London in 2010, and we started hanging out and making plans for the future. We had had enough of that student life. We wanted to make a revolution — not only a personal revolution. It was a rebellion that drove us to make this project. It became our way of life.
Q: Success happened rather quickly, didn't it?
A: The first song we did together, "Smooth Criminal," it exploded straight away. We didn't expect it would be so big from one song. But millions of kids watched it on YouTube, and then people started calling from all the TV shows — "Ellen DeGeneres" and "The Tonight Show." Then record labels started being interested, and Elton John picked up on the song, invited us on tour and took us under his wing. We opened for him everywhere. Which was such an amazing experience. Then all the hard work began.
We got this breakthrough, so we had to think what direction we wanted to go, and got to work recording, arranging and continuing building though our YouTube channel and live concerts.
Q: How did you arrive at Michael Jackson's "Smooth Criminal" as the song that would initially define you two?
A: We were in London, thinking of ideas, and were both big fans of Michael Jackson, wondering what we should do. Then we thought of "Smooth Criminal" because it would sound so cool on cello — that chkka-ka-ka-ka-ka in the start of it. So we went back to Croatia and rented a cheap studio for $100 for a full day and had the song finished. We did the arrangement when I was in London finishing studies, we Skyped together to practice and went to studio and did the audio recording. Then we made a video for $1,000 from a videographer who gave us a discount — we split the cost, $500 each — and it changed our life, with such little investment.
Q: What is it about the cello that makes it so amenable to rock?
A: The cello is such a versatile instrument, just about anything can sound good - except for rap. We still haven't learned how to do rap on the cello. But rock music and metal are great because it's so powerful. But a cello can be beautiful melodically, which makes it perfect for film music and classical music. Because of its range, in cello you can do everything. It has colors similar to a human voice. Two cellos give you even more possibilities.
Q: Have you heard from any of the acts whose songs you have used, like AC/DC?
A: Actually, one day before our fifth anniversary, they shared our video of "Thunderstruck" on their official Facebook page. Nirvana, Guns N' Roses and Iron Maiden, all of their official Facebook pages have shared our videos. The Jimi Hendrix page shared our "Purple Haze" live video.
Q: Do you feel you're introducing young pop fans to classical music?
A: From many of our fans, we get feedback like, "I never thought classical music could be beautiful," and they begin to appreciate classical music as much they do popular music. And we include classical songs in the concerts.
Here and there, we do concerts with only classical music, or only film music, which we're going to share though YouTube, so we're not only playing for a few hundred people in the audience, but sharing it through the Internet. Also, the choice of pieces have to appeal if you want to reach a lot of people.
The problem with classical music, as in each genre: It has good music and bad music, and you cannot reach a huge audience with music that isn't interesting and special. You also have to present it in a special way, educate them about what's special about the music and share it on social media. It's about opening up to the world and sharing the beauty of the music.