Call & Times

Vinnie Paul, 54; Pantera drummer

- By MATT SCHUDEL

Vinnie Paul, the hard-hitting drummer for Pantera, one of the most popular heavy metal groups of the 1990s, who saw his brother killed onstage by a fan in 2004, died June 22 in Las Vegas. He was 54.

The death was announced on Pantera’s Facebook page and confirmed to news outlets by Jane Hoffman, a spokeswoma­n for the defunct band. The Las Vegas Review-Journal reported that he died in Las Vegas. The cause was not immediatel­y known, and an autopsy will be conducted.

Paul, whose full name was Vincent Paul Abbott, founded Pantera in 1981 with his younger brother, guitarist Darrell Abbott – originally nicknamed “Diamond,” then “Dimebag” – bassist Rex Brown and vocalist Terry Glaze. Singer Phil Anselmo replaced Glaze in 1986, but Pantera did not find widespread success until 1990, with the album “Cowboys From Hell,” which became an apt descriptio­n of the Texas-based rockers.

Pantera skipped the painted makeup, spandex and elaborate stagework of other metal groups to carve out a niche as a loud, groove-driven band highlighte­d by Anselmo’s screaming vocals, “Dimebag” Darrell’s incendiary guitar work and Paul’s burly, two-fisted pounding on the drums.

Despite four Grammy Award nomination­s, Pantera was always more of a cult favorite than a critical darling.

“We know that the people who listen to our music are starving for something heavy and honest,” Paul said in 1994, the year the group’s album “Far Beyond Driven” debuted at No. 1 on the Billboard charts. “The music by no way, shape, fashion or form, is mainstream or commercial­ized. If anything, it’s gotten harder and heavier over the years.”

Pantera inspired an exceptiona­l loyalty from its fans, who knew the band’s lyrics and often crashed into one another while dancing.

“We write songs for people who live and die for this music,” Paul said.

Members of the group, particular­ly Paul and his brother, were approachab­le and sometimes sent personal letters and memorabili­a to their fans.

“I like to do the show and then I like to party,” Paul said in 2014. “I like to drink, I like to have a good time, I like to interact with the fans.”

The band sold tens of millions of recordings, and four albums – “Cowboys From Hell,” “Far Beyond Driven,” “Vulgar Display of Power” (1992), “The Great Southern Trendkill” (1996) – were certified platinum, selling more than 1 million copies each.

Most of the albums were recorded at Dimebag Darrell’s home studio, then adjusted to sound good on a car stereo. In addition to being the drummer, Paul had a strong hand in the studio and in creating the band’s essential sound.

“For me, there’s more to being in a band than just beating on drums,” he told the Dallas Morning News in 1992. “You have to be a musician, and if you care anything about the direction of your career and the sound and the style of the music, then you do more than just hop in and play your drum parts.”

All four band members were credited as songwriter­s, but Anselmo wrote most of the lyrics – often obscene and angry, sometimes misogynist­ic, occasional­ly sensitive and introspect­ive.

The songs were always delivered with a raw edge of energy, like the “grinding metal straight out of an auto assembly plant,” critic Michael D. Clark wrote in the San Jose Mercury News in 1994.

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