Call & Times

Maureen McCormick, designer Dan Vickery on updating old homes

- By The Washington Post

In “Frozen in Time,” a new show on discovery+, Maureen McCormick, who played eldest sister Marcia on “The Brady Bunch,” joins designer Dan Vickery to help homeowners who are stuck in a time warp. Homes from the 1950s, ‘60s and ‘70s are updated while still respecting the nostalgia of their era.

McCormick made design waves in 2019 when she and her fellow “Brady Bunch” cast members joined design stars for the HGTV’s “A Very Brady Renovation.” The group overhauled the iconic split level house in Los Angeles, built in 1959, that was used for exterior shots on “The Brady Bunch,” which ran from 1969 to 1974.

Vickery, appeared on HGTV’s reality competitio­n show “Design Star” in 2009. He’s also been on W Network’s “Love It Or List It: Vacation Homes” and Bravo’s “Best Room Wins.”

McCormick and Vickery joined The Washington Post’s Home Front online chat. Here is an edited excerpt.

Q: My house is a little World War II-era box, but there is nothing about 1940s home decor that I like. My heart is in the 19th century. How much Victorian style can I use inside without it looking crazy?

Vickery: Bring in all the Victorian furniture and accessorie­s you want. Often the best design tells a story, and if the architectu­re and furniture pieces don’t exactly match, then you start to highlight the history of your curated items and the history of the home in a new way. Unfortunat­ely, I doubt you will be able to make a 1940s home feel like it is Victorian. The contrast of eras will make both stand out.

Q: How do you decorate in a way that doesn’t make a house feel like a museum? I love vintage, lived-in things but I don’t want the house to feel too old. I live in a pretty new, modern apartment building with a lot of glass. I previously had a lot of modern looking furniture in there, but it looked too much like an Ikea showroom. I like the vintage look but I don’t want it to look like a garage sale. How can I blend these two styles?

McCormick: A great way to blend the two styles on a vintage sofa or chair to add modern fabric. Make sure to streamline accessorie­s so that it’s not too cluttered. Try to keep it light and airy. And bravo to you for mixing in vintage in your modern home.

Q: How do you decide to keep a cute vintage bathroom even if it’s not up to today’s more luxurious standards?

Vickery: Like most of design, it has to function first. It depends on how you use the bathroom. Older bathrooms often have very little storage, but there are often built-ins in the hall nearby. If you can use storage somewhere else that is still accessible then you should keep what you love. But if the frustratio­n of a nonfunctio­nal bathroom is getting to you it might be time to say goodbye to cute and hello to something new. And who says an updated bathroom cannot be cute?

Q: What are the biggest mistakes people make when updating old homes?

McCormick: I feel the biggest mistakes often are taking away the history. I love when a house that is old keeps its character and personalit­y.

Q: I live in a 1939 Cape Cod farmhouse outside of Richmond, Va., that was in rough condition when we purchased it. We’ve done a lot of repairs and restoratio­n, and it’s a beautiful home now. But most of the interior walls are plaster and have developed cracks in the corners (mostly the seam between the wall and ceiling). We’ve had them repaired and painted profession­ally, but some of the cracks have come back. Any recommenda­tions?

Vickery: This is the love/ hate relationsh­ip of older homes. They are gorgeous, charming and full of life. They also often have weak foundation­s, beams and posts that are not strapped together, and a million other quirks that you have to embrace, pay to fix, or move away from. I would guess your foundation is still settling because it was not reinforced to today’s standards. You can have a contractor see if they can provide additional support or it may be something you have to resolve to fix repeatedly. It’s annoying, like flossing your teeth, but it’s necessary for a pretty smile.

Q: Do you ever use vintage linens? I have some old family quilts, but they’ve been packed away in the attic for so long that they probably need a good wash. I sometimes see beautiful linens at consignmen­t stores but I’m a little too scared of bed bugs and other stuff to buy them.

McCormick: I love vintage linens. They really make a house a home and can soften up surfaces. I have a collection myself and cleaning them is super important. Bleach can be great, but I often dilute it way down and try to work on getting out stains a little at a time. They are one of my favorite things in to use in decorating our house. I also recommend hand washing, and please, don’t put them in the dryer.

Q: Mid-century modern is cool right now. But many 1970s ranch houses are really ugly. Is that look really worth saving?

Vickery: It depends on what you think is ugly about it. Some of the colors, wood paneling, popcorn ceilings, that all has to go. But the clean lines and open windows are still beautiful.

Q: There’s a dull pink carpet in my master bathroom and its adjoining two closets. This is supposed to blend with deep pink bathroom accent tiles and tub, but none of the pink was my idea. What color carpet or tile can I use to replace the carpet? The walls are also light pink.

McCormick: I would tear out the carpet and replace it with a colored tile that looks pretty with the deep pink. I would possibly use a fresh white or off white or cream tile or maybe even green.

Q: What are your paint and color suggestion­s for painting 1970s paneling?

Vickery: White is always going to be classic. If you have watched our show, you know neither Maureen or I are afraid of color. I would suggest staying with a light tone or a dark tone. Light tones reflect a lot of light. Dark tones absorb it. Both of these things make a room feel like it has more richness because of the way the light is manipulate­d. Medium tones do nothing to the light and make the room feel flat. I also suggest selecting colors from the gray range of the paint palette. You will be amazed how a blue/gray suddenly feels like it is just blue when covering a full wall.

Q: Any tips when shopping for antiques? I never know how to tell if a piece of furniture is of good quality or worth the price.

McCormick: My biggest tip is to buy something you love that you can’t live without. Measure so that it will fit in the space that you want it to go. I always love to see if a piece has dovetailin­g on the sides of the drawers. Quality vs. quantity is huge.

Q: My laundry room is on the second floor of my 1990s house. I love the convenienc­e, but the vibration causes nail pops galore. I’ve had them repaired but new ones keep happening. I’m getting ready to paint a bedroom that has tons on the ceiling. Do you have any suggestion­s for the ceiling – breadboard, fake decorative ceiling tile?

Vickery: I love ceiling treatments. The ceiling is often an ignored opportunit­y. The key is that the room cannot feel too chaotic with patterns on every surface. In a dining room I am not afraid to go bold. It is a space where the activity is about sitting which gives you distance from the ceiling to appreciate it. We did a metal bird sculpture in one episode inspired by the metal, seagull wall sculptures from the 1950s and 196’s. I would go with something simpler in a bedroom. Wood cladding, stained or painted are classic options. A simple wallpaper, like a grass cloth, is also a great option.

Q: What ideas do you have to bring some of today into our Colonial 5-over 4 home from 1780?

McCormick: Can I move in? It sounds fabulous, and I love Colonial homes. You can freshen it up with paint and mixing in some modern furniture pieces and accessorie­s. And add some fun modern art you love.

Q: I have a north-facing bedroom with a small window that looks out onto an alley with a tree in it. It gets some filtered light in the morning and early afternoon, but then it’s kind of dark. The walls look way too yellow. I know white brightens, but I’m reading that white in this case can make the room look colder. I want it to look warm and inviting and sunny. I have decor in there that is blue, pink, purple, yellow and orange mostly – it’s very bohemian. Do I have to do white? I don’t want anything bright because I want flexibilit­y.

Vickery: It sounds like you are not afraid of color. The next question is, how much time do you spend in your room? During the day, light colors are great. But in the evening a deeper, moodier shade can be very sexy. My room is painted with a dark blue-gray, and at night the color absorbs light and makes the walls feel farther away. It gives the room depth and richness. If you are working from home in your room during the day, which a lot of us are lately, you may want to stick with a lighter or brighter color. A pale peach or pink could be perfect for your existing pieces.

Q: Do you have a favorite episode or scene from “The Brady Bunch?”

McCormick: The show that I sang on with Florence Henderson is one of my favorites. Also the “Father of the Year” episode. But they all hold a special place in my heart.

Q: We have an addition that used to be a sunroom but has been enclosed. It’s a long rectangle with two west-facing windows on the long wall and one on either end. We want to make it into a home office and I’m trying to decide which color to paint it. The room has dark oak floors and white trim, with wood breadboard on the ceiling and a natural stain. We’re not afraid to do something a little bold but we want to keep it similar to other colors in the house: Silver Sage from Restoratio­n Hardware and Manchester Tan, Nelson Blue and Revere Pewter from Benjamin Moore. I’m considerin­g Benjamin Moore’s Palladium Blue, but it might be too similar. I’d like to avoid gray since it’s so common right now and we already have it in a few of our other rooms. Any thoughts?

Vickery: Any room that has a lot of light is a great opportunit­y to use a bold or darker color. The high contrast to white trim will make the windows stand out as an architectu­ral feature and give the room depth. Navy is always a classic and would be great with your existing colors. If you are afraid to go that dark then white on texture, like headboard, is classic and allows you to use items in the room as color.

Q: I want to do some painting and light renovation. I live in a rowhouse in D.C. that’s been around forever. When I signed my lease I remember signing some document about lead paint, which I don’t think we have but I can’t remember. Should I see if there is lead paint and remove it before I start painting? I’m a little nervous to do anything more than paint because I’m not familiar with what other potentiall­y dangerous materials could be there. We definitely don’t have asbestos, though. How do you deal with that when renovating old homes?

McCormick: Lead and asbestos are scary in theory. But like everything, knowledge is power. Both of these things are relatively harmless if undisturbe­d. You can paint over old lead paint, but if you want to do any scraping or sanding, use proper protective equipment (more masks) or leave it to the profession­als.

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