Chattanooga Times Free Press

Music after your own heart

- By Holly Leber

It’s time to get in the mood for a Valentine’s tradition.

Each year, the weekend before Feb. 14, the Chattanoog­a Symphony & Opera takes us back in time for “Big Band Fever.”

“We’re just going to keep doing it until we get it right,” said CSO Pops conductor and music director emeritus Robert Bernhardt.

Local singer Neshawn Calloway will join the band for the second act, performing several songs, including “At Last,” by the recently deceased Etta James. Calloway chose from among a selection of numbers.

Whether a singer joins the band, Bernhardt said, typically depends on the availabili­ty of time to plan

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and coordinate.

“I always enjoy when there’s a chance to break up the flow,” he said.

Big-band singing is a proud tradition. Bernhardt cited Frank Sinatra, Rosemary Clooney and Ella Fitzgerald as those who began careers singing for bands before they were fronting them.

“It feels totally right to do it,” he said.

As is tradition, the program will begin with Glenn Miller’s “In the Mood,” and will include “Tuxedo Junction,” “Take the A Train,” “One O’clock Jump,” and “Stompin’ at the Savoy.”

“This is music that dares you to stay still,” said Bernhardt.

Fortunatel­y, there’s no need. Audience members are welcome to wander or to go up onstage to dance in a section reserved for swingers of all ages.

“It’s our most intergener­ational show,” he said.

Bernhardt said he would be interested in incorporat­ing more contempora­ry swing music, such as Brian Setzer or Big Bad Voodoo Daddies, into his program in the future, but for now, he’s more than satisfied with leading the band in the classics.

“I think the players would love to branch out into some of the more modern stuff,” he said, “but the big idea for this is that everyone should feel comfortabl­e on the dance floor.”

Though it’s not listed on the program, Bernhardt said audiences can count on a certain song named for a certain train to be played as an encore. He jokingly referred to it as “Voldemort’s theme song — the song that shall not be named.”

“It just has a habit of showing up,” he said. “It will be there.”

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