Chattanooga Times Free Press

Offering hymns and prayers from the gulag

- Terry Mattingly leads GetReligio­n.org and lives in Oak Ridge, Tennessee. He is a senior fellow at the Overby Center at the University of Mississipp­i.

There was no way Thanksgivi­ng could be “normal” this year.

This was certainly true wherever Orthodox Christians gathered for what is becoming a Thanksgivi­ng tradition in America: sharing a litany of poetic Russian prayers created during hellish persecutio­n by the Bolsheviks.

Under coronaviru­s protocols, many sang the “Glory to God in All Things” prayers in outdoor services or in candle-lit sanctuarie­s containing fewer worshipers than usual. There was no way to ignore the pain of 2020.

Early in the service, a priest chants from the English translatio­n: “Thou hast brought me into life as into an enchanted paradise. We have seen the sky like a chalice of deepest blue, wherein the azure heights the birds are singing. We have listened to the soothing murmur of the forest and the melodious music of the streams. We have tasted fruit of fine flavor and the sweet-scented honey. We can live very well on Thine earth. It is a pleasure to be Thy guest.”

Worshipers respond: “Glory to Thee for the new life each day brings.”

Imagine chanting those words in Soviet gulag cells.

Only 25 people could attend the Thanksgivi­ng service at St. Anne Orthodox Church in Corvallis, Oregon, but others watched online. It was held in the morning, before whatever feasts participan­ts could have this year.

“I love this service, particular­ly for its depth of thanksgivi­ng in the midst of extreme suffering,” said Laura Fear Archer in an Orthodox Facebook group. “In the midst of our far lesser but still painful suffering this pandemic year, it is a good reminder to give thanks always.”

In Russia, some believers connect these prayers with birthdays. But in America, the Orthodox know this service as “The Akathist of Thanksgivi­ng” since its themes mesh with this uniquely American holiday. An “akathist” is a service honoring a saint, a holy season or the Holy Trinity.

Many trace this akathist to the scholarly Metropolit­an Tryphon, a well-known spiritual father at the height of the persecutio­n. The version of the service used today was found in the personal effects of Father Gregory Petrov, who died in 1940 in a concentrat­ion camp.

It is also important that “Glory to God in all things” were the last words spoken by St. John Chrysostom, the famous preacher and archbishop of Constantin­ople who died in 407 after being forced into imprisonme­nt and exile by his critics.

“The theme that runs through all his works is that Christians must learn to bear suffering nobly,” said historian David Ford of Saint Tikhon’s Orthodox Seminary in eastern Pennsylvan­ia. He is the author of “Women and Men in the Early Church: The Vision of Saint John Chrysostom” and is creating an anthology of the saint’s writings.

“It is especially fitting to use this great Akathist of Thanksgivi­ng during a time of national crisis,” he said, reached by telephone. “We are getting a taste of what this is all about.”

A commentary on this text, posted by Moscow’s Sretensky Monastery, noted its use of intense personal images and allegory, adding: “Lyricism as … a mood, in which emotional elements prevail over rational ones, is characteri­stic of poetic works, but not in the genre of Orthodox church hymnograph­y.”

“Glory to God in All Things,” wrote Deacon Feodosiy Kudryashov, “is a notable exception,” and is recognized as a “literary masterpiec­e that combines deep faith and the poetic gift of divine inspiratio­n.”

The service offers thanksgivi­ng for many kinds of gifts and events in life, from the moonlight in which “nightingal­es sing” to valleys and hills that “lieth like wedding garments, white as snow.” Worshipers offer thanksgivi­ng for the “humbleness of the animals which serve me,” as well as “artists, poets and scientists,” because the “power of Thy supreme knowledge maketh them prophets and interprete­rs of Thy laws.”

But near the end, a priest chants the crucial theme: “How near Thou art in the day of sickness. Thou Thyself visitest the sick; Thou Thyself bendest over the sufferer’s bed. His heart speaks to Thee. In the throes of sorrow and suffering Thou bringest peace and unexpected consolatio­n.”

The congregati­on response includes: “Glory to Thee, curing affliction and emptiness with the healing flow of time. … Glory to Thee, promising us the longed-for meeting with our loved ones who have died. Glory to Thee, O God, from age to age!”

 ?? GETTY IMAGES ?? Interior of the Christian Orthodox church of the Sretensky Monastery in Russia.
GETTY IMAGES Interior of the Christian Orthodox church of the Sretensky Monastery in Russia.
 ??  ?? Terry Mattingly
Terry Mattingly

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