Chattanooga Times Free Press

Mother’s Day and TV mothers history

- BY KEVIN MCDONOUGH Contact Kevin McDonough at kevin .tvguy@gmail.com.

TV has a weird relationsh­ip with Mother’s Day, because TV has so often been weird to mothers.

In so many shows airing over so many decades, mothers were all but wiped out. From “My Three Sons” to “Bonanza” to “The Andy Griffith Show” and “Family Affair” to “Diff’rent Strokes” and “My Two Dads” and “Full House” and “iCarly,” the emphasis was on children being raised either by sad widower fathers or an odd assortment of uncles and guardians.

The lessons of early television were fairly severe. Either you dressed up in pearls to wash dishes like Mrs. Cleaver on “Leave It to Beaver,” or you were liquidated.

When mothers did show up and have a personalit­y to be reckoned with, the series were often considered subversive, or worse. It’s interestin­g to think back at how “Roseanne” was received in the late 1980s. It was as if TV mothers could never have a cranky attitude. On the other hand, it took an actor on the level of John Goodman to convince us that he’d want to put up (or wake up) with Roseanne Conner every day.

While TV dads were forgiven for nearly anything, it’s a rare television mother who could express both affection and consternat­ion on a vaguely human level. People loved Lorelai Gilmore (Lauren Graham), but she was entirely too knowing, chatty and caffeinate­d to be believed. In her own way, the exalted Clair Huxtable (Phylicia Rashad) hearkened back to the too-perfect moms of the 1950s.

The TV moms who most stand out as believable are Kitty Forman (Debra Jo Rupp) of “That ’70s Show,” Lois (Jane Kaczmarek) on “Malcolm in the Middle” and Rochelle (Tichina Arnold) from the underappre­ciated “Everybody Hates Chris.” Nancy Walker’s Ida Morgenster­n may have been too over-thetop for some. But not for “Rhoda.”

Patricia Heaton of “Everybody Loves Raymond” would make the cut if not for the fact that the sitcom pretty much ignored her kids to emphasize their relationsh­ip

with Ray’s (Ray Romano) formidable mother (Doris Roberts).

And no TV mother was more formidable than Livia Soprano (Nancy Marchand), the most dangerousl­y passive-aggressive mom in the history of television, or perhaps any medium.

This Mother’s Day arrives shortly after the April departures of two memorable “Seinfeld” moms, Helen Seinfeld (Liz Sheridan) and Estelle Harris, who played the indomitabl­e Estelle Constanza.

A current series with an interestin­g mother is “Shining Girls,” streaming on Apple TV+. Amy Brenneman stars as Rachel, the mother of Kirby (Elisabeth Moss), the protagonis­t whose memory and identity have been shattered by a violent and traumatic incident.

Rachel’s maternal character wavers from irresponsi­ble punk rocker to strident church

lady, depending on just who Kirby seems to be on any given day. It’s a challengin­g concept, but a reminder of how our relationsh­ips with our mothers are often largely a matter of agreed-upon recollecti­ons.

A new series that hearkens back to old habits is the dramatic adaptation of the documentar­y “The Staircase,” streaming on HBO Max. You just don’t have a story without the mom (Toni Collette) ending up dead at the bottom of the stairs.

So, here’s a happy Mother’s Day to all the TV mothers, living and (mostly) dead! ›

A pretty executive finds that her charity work takes her to a far-off land, where she becomes romantical­ly involved with the heir to the throne in the 2021 romance “Royally Wrapped for Christmas” (8 p.m. Saturday, GACFSD, TV-G).

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