Chattanooga Times Free Press

‘Big Horn’ exposes major tragedy

- BY KEVIN MCDONOUGH Contact Kevin McDonough at kevin .tvguy@gmail.com.

Television returns to “Yellowston­e” and “Longmire” country. “Murder in Big Horn” (10 p.m. Sunday, Showtime, TV-MA) offers a three-part documentar­y look at an epidemic of murders, kidnapping and traffickin­g of indigenous women in Big Horn County, Montana, home to both Cheyenne and Crow Indian reservatio­ns.

The cases are presented in heartbreak­ing detail. We meet the parents and friends of murder victims, some as young as 14. The official indifferen­ce to this crimewave is simply breathtaki­ng. When worried parents are informed that their daughter’s remains have been found within sight of the address of her last known whereabout­s, local police and the medical examiner suggest she simply froze to death, a cause that doesn’t explain obvious bruising and wounds.

When another victim’s body is found in a yard near a busy highway, authoritie­s suggest that the young woman crawled there to die. They proceed to cremate her remains against the wishes of the family and Crow traditions.

The focus soon pulls back to offer historical, social and even logistical reasons for this official lack of concern. The settlement described as “The Winning of the West” in many history books required the confinemen­t of the Crow and other tribes, who used to hunt and travel over vast stretches of Western territory. Reservatio­n life contribute­d to the culture of a defeated people, exacerbate­d by plentiful alcohol. More than a century of dysfunctio­n has taken its toll.

To make matters more complicate­d, police jurisdicti­ons are divided between local Montana state police — charged with policing the “American” population — and the Bureau of Indian Affairs (BIA), responsibl­e for tribal law enforcemen­t. If a murder takes place, state police respond only if they know the perpetrato­r is non-Indian. And how can they know that until they begin an investigat­ion? So often, no action is taken.

Matters are compounded by more than a century of mistrust between tribes and state and federal authoritie­s and the assumption by many that any and all crimes are committed by the “white man,” an attitude that can offer plenty of cover for local offenders. Add a local interstate and the freedom of tens of thousands of strangers to come and go, and you have a mystery with far too many suspects.

“Big Horn” was not made simply for binging. It uses a true-crime murder mystery hook to offer a sobering look at American history.

› MGM+, the outlet formerly known as Epix, presents “Murf the Surf” (10 p.m. Sunday), a four-part docuseries about Jack Roland Murphy, a former surfer who pulled off an infamous 1964 jewel heist at New York’s American Museum of Natural History. A suave operator whose style equaled or surpassed that of the fictional characters in the original “Ocean’s Eleven” movie, he would later face murder charges and then attempt to launder his reputation as a born-again Christian. Produced by Brian Grazer and Ron Howard, and directed by R.J. Cutler.

› A woman with a memorable hairstyle blends religious hucksteris­m with diet advice in the true-life 2023 shocker “Gwen Shamblin: Starving for Salvation” (8 p.m. Saturday, Lifetime, TV-14). The real-life Shamblin was the subject of a 2021 HBO Max five-part docuseries “The Way Down: God, Greed and the Cult of Gwen Shamblin.” Shamblin and six members of her organizati­on were killed in a plane crash that same year.

› Trevor Noah hosts the 65th Annual Grammy Awards (8 p.m. Sunday, CBS, TV-14), honoring the best musical recordings and artists of the past year. It is interestin­g to note that the Grammys will take place at the Crypto.Com Arena in Los Angeles.

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