Chattanooga Times Free Press

There’s a reason why every hit worship song sounds the same

- BY BOB SMIETANA RELIGION NEWS SERVICE

On Easter Sunday, the worship band at Bethel Community Church in Redding, California, opened the service with “This Is Amazing Grace,” a 2012 hit that has remained one of the most popular worship songs of the past decade.

Chances are thousands of other churches around the country also sang that song — or one very similar to it.

A new study found that Bethel and a handful of other megachurch­es have cornered the market on worship music in recent years, churning out hit after hit and dominating the worship charts.

The study looked at 38 songs that made the Top 25 lists for CCLI and PraiseChar­ts — which track what songs are played in churches — and found almost all had originated from one of four megachurch­es.

All the songs in the study — which ranged from “Our God” and “God Is Able” to “The Blessing” — debuted on those charts between 2010 and 2020.

MEGACHURCH­ES

Of the songs in the study, 36 had ties to a group of four churches: Bethel; Hillsong, a megachurch headquarte­red in Australia; Passion City Church in Atlanta, which runs a popular youth conference that fills stadiums; and Elevation, a North Carolina congregati­on with ties to the Southern Baptist Convention.

“If you have ever felt like most worship music sounds the same,” the study’s authors wrote, “it may be because the worship music you are most likely to hear in many churches is written by just a handful of songwriter­s from a handful of churches.”

The research team, made up of two worship leaders and three academics who study worship music, made some initial findings public Tuesday. More details from the study will likely be released in the coming weeks.

Elias Dummer, a worship leader and recording artist, said he and his colleagues have been watching changes in worship music over the past decade. They wanted to know how worship songs become popular among churches, he said. They also wanted to know how the business of producing and marketing songs is shaping the worship life of local churches.

Dummer said many worship leaders believe the best songs become the most popular in churches. They also believe those songs become popular because they work — people respond to them during worship services and want to sing them over and over. But that’s not exactly true. Dummer and his colleagues found many of the more recent hits songs were released as singles on Spotify and other streaming services, which helps fuel their popularity.

“There are actual mechanisms by which songs become the most significan­t,” he said. “It’s not just whatever songs the Holy Spirit blesses that make it to the top of the charts.”

For their study, researcher­s compared popular worship songs written before 2010 with those written from 2010 to 2020. Those earlier songs were often associated with individual worship leaders such as Chris Tomlin and Matt Redman, rather than with churches, and came from a variety of sources.

But beginning in 2010, the most popular new songs began to come from megachurch worship bands — and the most popular worship artists began affiliatin­g with those churches.

Of the 38 songs in the study, 22 were initially released by the four megachurch­es, with another eight songs released by artists affiliated with those churches. Six more were either collaborat­ions between artists from those churches or cover songs performed by those churches.

MUSICAL PLATFORM

Shannan Baker, a postdoctor­al fellow at Baylor University, said the megachurch worship teams in the study also popularize­d songs from other artists, such as “Way Maker,” a song written by Sinach, a well-known Nigerian musician, as well as “Great Are You Lord” and “Tremble.”

“These bigger churches, even if they weren’t involved in making the songs, platformed them,” she said.

Adam Perez, assistant professor of worship studies at Belmont University in Nashville, said the four most influentia­l megachurch­es all come from the charismati­c tradition of Protestant churches. All of them, he said, have a spirituali­ty that believes God becomes present in a “meaningful and powerful way” when the congregati­on sings a particular style of worship song.

Those songs become one of the primary ways of connecting with God — rather than prayer or sacraments or other rituals. Because of their market success, those churches have changed the spiritual practices and sometimes even the theology of congregati­ons from many traditions.

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