Beirut museum reopens after port blast
BEIRUT — Lebanon’s Sursock Museum has reopened to the public, three years after a deadly explosion in Beirut’s port — set off by tons of improperly stored chemicals — reduced many of its treasured paintings and collections to ashes.
The reopening Friday night offered Beirut residents a rare bright spot in a country reeling from a crippling economic crisis that has left around threequarters of Lebanon’s population of 6 million in poverty.
Originally built as a private villa in 1912 on a hilltop overlooking the city’s Achrafieh neighborhood, the opulent residence integrated Venetian and Ottoman styles. Its owner, famed Lebanese art collector Nicolas Ibrahim Sursock, bequeathed his beloved home to his people, to be turned into a contemporary art museum upon his death in 1952.
The museum housed Lebanese art dating back from the late 1800s, including the work of distinguished painter Georges Corm and
Fouad Debbas’ library of 30,000 photographs — one of the largest private photo collections. The photos are from across the Levant, a region encompassing countries along the eastern Mediterranean, from Turkey to Egypt, from 1830 until the 1960s. In 2008, a seven-year project renovated and expanded the museum, relaunching it in 2015.
But the Aug. 4, 2020 blast in Beirut’s port — only about 875 yards away — hit the museum fully front on. Its stained glass windows were shattered, doors were blown out, and almost half the artwork on display was damaged. The explosion ripped through much of Beirut, killing more than 200 people and injuring over 6,000.
The destruction was unprecedented, said museum director Karina El Helou, a level unseen even during Lebanon’s 1975-1990 civil war. Seventy percent of the building was badly damaged, as were 66 of the 132 art pieces on display, she said. Glass shards tore through Dutch artist Kees Von Dongen’s portrait of Nicolas Sursock.
Two months after the explosion, then-museum director Zeina Arida launched a fundraising campaign, estimating the damages to be around $3 million at the time. The museum eventually raised more than $2 million to restore the building and the artwork with support from Italy, France, UNESCO and various private organizations.
The restoration was long and painstaking work. Sursock’s portrait was taken to Paris, along with two other art pieces, and restored there. Experts from Lebanon and abroad flocked to the museum to piece together damaged terracotta sculptures and fix tears and scratches that had marred the paintings. Dust and debris from the explosion were carefully removed to bring back the splendor of many items.
“White powder from the blast that we saw everywhere in Beirut even reached our storage room four stories underground,” El Helou said. She hopes the reopening will boost the morale of many Lebanese amid the country’s economic meltdown — and offer a “safe space” for free expression.
Art is now more important than ever, she added. “In the face of darkness, (artists) fought through art and culture,” she said.
Dozens gathered in Sursock’s large, tree-lined courtyard Friday evening, serenaded by a choir and a band performing on the entrance stairs for the reopening. The museum, looking almost exactly as it did before the blast, drew sighs of appreciation. Others remembered how much Beirut has withered since then and how scores of artists have left the country.
“I now hope all the friends of the Sursock who may have left Lebanon in recent years at least come back to visit us,” the museum’s chairman, Tarek Mitri, told The Associated Press as he greeted guests.