Chattanooga Times Free Press

Performing arts center finally opens

- BY JENNIFER PELTZ

NEW YORK — In a mammoth room behind translucen­t marble walls, workers are setting the stage for the World Trade Center’s newest addition.

It isn’t another office tower, nor is it a monument, at least explicitly, to the memory of the Sept. 11 terror attacks. It’s a theater complex.

Envisioned two decades ago to add vibrancy and draw people to a place of devastatio­n and mourning, the Perelman Performing Arts Center is finally arriving at a very different ground zero. The site is ringed by new skyscraper­s and located in a neighborho­od that has more residents than before the attacks. Annually, millions of visitors come to the memorial and museum.

Still, organizers believe the arts space, also called “PAC NYC,” has an important role to play in one of the most sensitive, historic spaces in the United States.

“The memorial is here for people to come and grieve and pay their respects. The museum is for people to learn, be aware and never forget,” says Khady Kamara, PAC NYC’s executive director. “And the Performing Arts Center is here for people to celebrate life and really celebrate the resilience of New Yorkers and of the country.”

Perhaps befitting a space for theatrical drama, the $560 million institutio­n has been through no shortage of its own. There were financial roadblocks, political buffeting and a yearslong wait for constructi­on to begin while its designated spot accommodat­ed a temporary transit hub. Leaders, architects, design and occupants changed.

Now the curtain is set to rise Sept. 19 with the first of five concerts focused on a theme of refuge. They follow invitation-only events, including an open house for Sept. 11 victims’ families and first responders on the 22nd anniversar­y of the attacks that killed nearly 3,000 people at the trade center, the Pentagon and a Pennsylvan­ia field.

“A day doesn’t go by where I don’t think about 9/11 and the responsibi­lity that we have to that community,” artistic director Bill Rauch said recently from the cube-like building, which stands 138 feet tall.

Daylight filters through the Portuguese marble walls and turns them into a radiant amber quilt patterned by chocolate and caramel veins. Sedate by day, the building’s boxy exterior is designed to glow from within at night. Its nearly 5,000 marble panels are backlit by chandelier­s in a corridor surroundin­g theater.

Nearby but out of sight is the 9/11 Memorial, which is obscured by the halfinch-thick stone, subtly encased in glass for protection and energy efficiency. The windowless design keeps the buzz of theatergoe­rs at a respectful distance from people who are paying tribute at the memorial, and vice versa, architect Joshua Ramus explained.

“I didn’t want to treat the memorial like a spectacle,” he said.

The arts center was built largely with private donations, including $130 million from former Mayor Mike Bloomberg and $75 million from investor Ronald Perelman, plus $100 million from a government-financed redevelopm­ent agency.

“There’s never been anything like it in the area, and it’s going to continue fueling the city’s comeback from the pandemic — just as the arts helped fuel our comeback after 9/11,” Bloomberg said in a statement.

With moveable walls, seats, floor sections and even balconies, the space can transform from a 1,000-seat venue into three smaller spaces. Those, in turn, can be arranged into a total of 62 different stage-andaudienc­e configurat­ions, with some as intimate as 100-seat rooms.

Special walnut paneling deals with the acoustical challenges of variable audience sizes and stage locations. Foot-thick rubber pads beneath the theaters absorb the sound and vibrations of a hive of subway and commuter train lines.

The opening season includes works as reflective as an opera about a case of racist hazing among U.S. soldiers in the post-9/11 war in Afghanista­n, and as exuberant as “Cats” reimagined in drag ballroom culture. “The Matrix” actor Laurence Fishburne is premiering a one-man show. Authors and presidenti­al daughters Jenna Bush Hager and Barbara Pierce Bush are talking about parenting. Native American comics are coming together for a night of stand-up.

 ?? AP PHOTO/BEBETO MATTHEWS ?? A box-shaped building, shown Wednesday, center, wrapped in translucen­t marble panels, is home to the new Perelman Performing Arts Center theater complex on the grounds of the World Trade Center in New York.
AP PHOTO/BEBETO MATTHEWS A box-shaped building, shown Wednesday, center, wrapped in translucen­t marble panels, is home to the new Perelman Performing Arts Center theater complex on the grounds of the World Trade Center in New York.

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