Chattanooga Times Free Press

‘Murder’ a Gen-Z slant on Christie

- BY KEVIN MCDONOUGH Contact Kevin McDonough at kevin .tvguy@gmail.com.

What if Agatha Christie was around for the internet, hackers and the dark web? That’s the question that appears to drive the premise and tone of “A Murder at the End of the World,” an FX production streaming exclusivel­y on Hulu.

Emma Corrin (“The Crown”) stars as the diminutive hacker/sleuth Darby Hart. She’s first seen attending a reading of her new book about her search for missing women and in a flashback to a case that took her and her then-boyfriend Bill (Harris Dickinson) into the creepy basement of their chief suspect, a cop-turned-serial killer.

Her publishing fame only burnishes her undergroun­d reputation as a cybergeniu­s. This gets her invited to a super-exclusive remote gathering organized by tech gazilliona­ire Andy Ronson (Clive Owen) and his new main squeeze Lee (Brit Marling), a woman whose reputation and list of accomplish­ments have long dazzled Darby.

Not to give too much away, but the getaway takes Darby and other genius types to a remote new hotel in Iceland, a just-opened escape complete with holographi­c concierges. Drenched in mystery and money, the setup may remind some of the Swedish retreat in the final season of “Succession” or the island getaway in the tech-business spoof “Glass Onion” or the doomed island resort where the homicidal events in Christie’s “And Then There Were None” take place.

The resemblanc­e to that mystery writer’s touch grows stronger when one of the invited elite turns up very dead.

“Murder” is strongest when it sticks to traditiona­l whodunnit tropes and true-crime story convention­s. Long asides about technology, hacking and “Matrix” like malarky tend to bog the action down — or perhaps I’m just showing my age.

A long-running franchise sports new scenery and accents while pretty much sticking to the formula.

“NCIS: Sydney” (8 p.m., CBS, TV-14) accentuate­s the military and strategic alliance between the U.S. and Australia, a bond strengthen­ed during World War II when many Down Under felt that the mother country, the United Kingdom, was too involved in its own European war to come to their aid against Japanese military aggression.

“Sydney” begins at a much-touted affair celebratin­g the arrival of U.S. submarines, an event that carries a message to China and attracts local activists of the “Yankee go home” variety.

A sailor’s death sparks a turf war between NCIS Special Agent-in-Charge Michelle Mackey (Olivia Swann) and handsome Australian detective Jim Dempsey (Todd Lasance). Look for Australian actress Kate Jenkinson as a quirky, brilliant lab assistant, the go-to nerd type that’s become a staple of “NCIS” incarnatio­ns.

Series like “CSI” and “NCIS” have been popular for most of this century. Both trade in the graphic depiction of cadavers under examinatio­n. There was a time when this might have been considered a tad morbid.

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