Chattanooga Times Free Press

A fusion of cultures, styles hits Paris Fashion Week

- BY THOMAS ADAMSON

PARIS — On a rain-soaked Saturday at Paris Fashion Week, the luxury world saw a spectacle of contrasts, where the audacious spirit of punk melded with quiet luxury and historical elegance. Displays blurred the lines between rebellion and refinement, presenting collection­s that navigated through time — evoking medieval serfs with a modern twist and embracing minimalist aesthetics reminiscen­t of the 1990s.

Here are some highlights of Saturday’s fall-winter 2024 shows:

HERMES

Exploratio­ns of “quiet luxury” — a phrase intimately tied to Nadege VanheeCybu­lski’s tenure at Hermes — were once again at the forefront of the Parisian runway Saturday, as the French designer unveiled her latest interpreta­tion of leather’s endless possibilit­ies.

This season, however, the narrative took a darker, more introspect­ive turn, with brooding black leathers that evoked the deep, reflective tones of the late French painter Soulages.

Those pieces, gleaming against the backdrop of a black starry night, sometimes adopted a fierce demeanor, reminiscen­t of studded, armor-like vests. Yet, that undercurre­nt of fierceness was masterfull­y balanced with the inherent softness of the collection’s cuts and the meticulous precision of its detailing.

Nipped buckles and gentle ribbing on skin-tight pants demonstrat­ed VanheeCybu­lski’s adeptness at blending Hermès’ storied craftsmans­hip with innovative design. Amidst the darker palette, muted flashes emerged, weaving poetically through the collection. That emphasis on restrained elegance is quintessen­tial to VanheeCybu­lski’s vision, where the opulence of materials and craftsmans­hip triumphs without need for ostentatio­n.

WESTWOOD

Braving the persistent Parisian drizzle, K-pop star Sandara Park led the pack at Andreas Kronthaler for Vivienne Westwood, captivatin­g the audience in a punk-tinged corset adorned with pearls and brandishin­g a “Noblesse” sign to the flurry of camera flashes. The show started with an eccentric performanc­e in the brightly lit atrium, where musicians conjured natural sounds amid tree stumps, setting a whimsical tone that mirrored the collection’s historical and rebellious spirit.

The opening ensembles transporte­d the audience back in time amid contempora­ry fusions, channeling the essence of a serf, the medieval agricultur­al laborer. The designs cleverly incorporat­ed leggings, jockstraps resembling codpieces, mystical talismanic pendants, and tear-shaped cutouts on thick knit sweaters that conjured up tales of yore.

Both male and female models strutted with a swagger, embodying the iconic Westwood ’80s punk ethos through standout pieces like a large blue conical bra corset and garments with assertivel­y large shoulders. The runway was a canvas for eccentric, eye-catching looks that melded contrastin­g historical references — like one silver top with a breastplat­e that evoked King Arthur and his knights with a disco sheen also reminiscen­t of Britain’s Glam Rock heyday.

The collection, a blend of audacious punk spirit and a nod to history, reaffirmed the brand’s mastery in fusing diverse influences, crafting rebellion throughout.

CARVEN

Elegant sophistica­tion, minimalism, and a hint of nonchalanc­e continued to define Carven. The storied house, originally founded by Marie Louise Carven in 1945, evolved under the guidance of various male creative directors since its reboot 2009 and 2018. Stepping into that lineage as the first female leader since its reboot, Louise Trotter presented her second collection Saturday, skillfully weaving together the brand’s 1950s origins with a minimalist aesthetic reminiscen­t of the 1990s.

The show opened with a statement piece: a brown round-shouldered coat that was both loose and indicative of the new direction Trotter is steering Carven towards.

That piece set the stage for a collection with dimensions and perception­s. A striking dress featured a trompe l’oeil effect, cleverly designed to appear two-dimensiona­l. An oversized gray jacket, casually draped over bare skin, was a prime example of the collection’s subtle allure, revealing skin in a way that did not compromise on sophistica­tion.

 ?? PHOTO BY VIANNEY LE CAER/INVISION/AP ?? Lila Moss wears a creation as part of the Vivienne Westwood Fall/Winter 2024-25 ready-to-wear collection presented Saturday in Paris.
PHOTO BY VIANNEY LE CAER/INVISION/AP Lila Moss wears a creation as part of the Vivienne Westwood Fall/Winter 2024-25 ready-to-wear collection presented Saturday in Paris.

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