Chattanooga Times Free Press

‘Zone of Interest,’ ‘Sympathize­r’ airing on HBO

- BY KEVIN MCDONOUGH

Nominated for five Oscars and based on a 2014 novel by Martin Amis, the 2023 drama “The Zone of Interest” (8 p.m. Saturday, HBO, streaming on Max) stars Christian Friedel as Rudolf Hoss, a Nazi commandant who tries to create a domestic family life with his wife, Hedwig (Sandra Huller), while living right next door to the Auschwitz exterminat­ion facility.

Both the novel, based on research into real people and events, and the film were praised for trying to separate the history of the Holocaust from twodimensi­onal portraits of “human monsters” and explore how characters could seek to lead “normal” lives while dwelling within earshot of mass slaughter.

The film’s themes of selective sympathies and dehumaniza­tion of “others” struck a nerve. Controvers­y ensued when producer Jonathan Glazer, in a speech at this year’s Academy Awards, cited the hijacking of Holocaust’s memory in an effort to overlook atrocities taking place in Gaza.

› Selective memory and the editing of history also loom large in the ambitious miniseries “The Sympathize­r” (9 p.m. Sunday, HBO, TV-MA). Based on the 2015 Pulitzer Prize-winning novel by Viet Thanh Nguyen, it recalls the collapse of the South Vietnamese regime in April 1975 and the chaos that ensued.

Hoa Xuande stars as the Captain, an agent for the Communist forces in North Vietnam who has infiltrate­d the South Vietnamese army as a spy. He’s first seen after the war in a Communist reeducatio­n camp being forced to revise his memories in a forced written confession, giving the following narratives a dubious quality.

From the outset, “The Sympathize­r” casts recollecti­on of “real” events as a kind of cinematic experience. The Captain is accompanie­d by an American CIA agent (Robert Downey Jr.) to a Saigon movie theater, where a Communist agent (secretly associated with the Captain) is being tortured on stage. As they enter, the billboards­ized posters for the French erotic adventure “Emmanuelle” are being taken down and replaced with ones for Charles Bronson’s vigilante thriller “Death Wish,” a film the CIA agent praises for its Herbie Hancock score.

As in the novel, “The Sympathize­r” will play with themes of memory and narratives shaped by Hollywood’s depiction of the war. While it was a military defeat, America’s mythmakers seized upon the war for their own ends. Vietnam and its aftermath happened to coincide with a Hollywood renaissanc­e of sorts. In the decade following the fall of Saigon, you could see any number of ambitious films, from Hal Ashby’s “Coming Home” to Francis Ford Coppola’s “Apocalypse Now” to Michael Cimino’s “The Deer Hunter” and reexperien­ce the war entirely from an American perspectiv­e. As both enemies and allies, the Vietnamese were reduced to the role of extras.

“The Sympathize­r” reverses that perspectiv­e, putting the focus squarely on the Vietnamese navigating their way through a historical tragedy, as pawns in a war, refugees desperate for rescue or immigrants to America, home to the cockeyed pop culture that fuels this weird house of mirrors.

Downey Jr. pops up in these memories as a number of malignant characters. First seen as a pop-saturated CIA agent, he looks like a dissipated version of Michael Keaton impersonat­ing James Caan with a bad perm. After his Oscar-winning turn as a back-stabbing bureaucrat in “Oppenheime­r,” it’s safe to say that Downey is on a creative roll.

Contact Kevin McDonough at kevin .tvguy@gmail.com.

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