Beloved star was one of reggae’s founders
NEW YORK — Toots Hibbert, one of reggae’s founders and most beloved stars who gave the music its name and later helped make it an international movement through such classics as “Pressure Drop,” “Monkey Man” and “Funky Kingston,” has died. He was 77.
Hibbert, frontman of Toots & the Maytals, had been in a medically-induced coma at a hospital in Kingston since earlier this month. He was admitted in intensive care after complaints of having breathing difficulties according to his publicist. It was revealed in local media that the singer was awaiting results from a COVID-19 test after showing symptoms.
News of the five-time Grammy nominee’s ill-health came just weeks after his last known performance, on a national live-stream during Jamaica’s Emancipation and Independence celebrations in August.
Ziggy Marley, son of Bob Marley, tweeted about the death saying he spoke with Hibbert a few weeks ago and, “told him how much i loved him we laughed & shared our mutual respect,” adding, “He was a father figure to me.”
A muscular ex-boxer, Hibbert was a bandleader, songwriter, multi-instrumentalist and showman whose concerts sometimes ended with dozens of audience members dancing with him on stage. He was also, in the opinion of many, reggae’s greatest singer, so deeply spiritual he could transform “Do re mi fa so la ti do” into a hymn. His raspy tenor, uncommonly warm and rough, was likened to the voice of Otis Redding and made him more accessible to American listeners than many reggae artists. Original songs such as “Funky Kingston” and “54-46 That’s My Number” had the emotion and call and response arrangements known to soul and gospel fans. Hibbert even recorded an album of American hits, “Toots In Memphis,” which came out in 1988.
Never as immersed in politics as his friend and great contemporary Bob Marley, Hibbert did invoke heavenly justice in “Pressure Drop,” preach peace in “Revolution,” righteousness in “Bam Bam” and scorn his 1960s drug arrest and imprisonment in “54-46 That’s My Number.” He also captured, like few others, everyday life in Jamaica in the years following its independence from Britain in 1962, whether telling of wedding jitters (“Sweet and Dandy”) or of trying to pay the rent (“Time Tough”). One of his most popular and surprising songs was his reworking of John Denver’s nostalgic “(Take Me Home) Country Roads,” with the setting changed from West Virginia to a world Hibbert knew so well.
Almost heaven, West Jamaica True ridge mountains Shining down the river
All my friends there Older than those ridge Younger than the mountains Blowin’ like a breeze
As with other reggae stars, Hibbert’s following soared after the release of the landmark 1972 film, “The Harder They Come,” which starred Jimmy Cliff as a poor Jamaican who moves to Kingston and dreams of a career in music. The Jamaican production was a word of mouth hit in the U.S. and the soundtrack, often ranked among the greatest in movie history, included the Maytals’ “Pressure Drop” and “Sweet and Dandy.” Hibbert also appeared in the film, as himself, recording “Sweet and Dandy” in the studio while Cliff’s character looks on with awe. Around the same time, the Maytals signed with Island Records and released the acclaimed album “Funky Kingston,” which the critic Lester Bangs called “the most exciting and diversified set of reggae tunes by a single artist yet released.” (The album would eventually come out in two different versions).
A guest appearance on “Saturday Night Live” in 2004 brought Hibbert an unexpected admirer, the show’s guest host, Donald Trump, who in his book “Think Like a Billionaire” recalled hearing the Maytals rehearse: “My daughter Ivanka had told me how great they were, and she was right. The music relaxed me, and surprisingly, I was not nervous.”