Chicago Sun-Times

‘We Steal Secrets’ fair and balanced

- BY BILL STAMETS

Filmmaker Alex Gibney is an investigat­ive moralist who zeroes in his lens on injustice. In his latest documentar­y, “We Steal Secrets: The Story of WikiLeaks,” he delves into the questionab­le nature of America’s foreign policy and two key players in the WikiLeaks affair. Smartly crafting a lot of incisive research, he delivers serious entertainm­ent.

“We Steal Secrets: The Story of WikiLeaks” follows Julian Assange, the Australian-born founder of the activist site WikiLeaks, and Bradley Manning, the U.S. Army intelligen­ce specialist stationed in Iraq who turned over military and diplomatic files for that site to publish, along with the New York Times, London’s Guardian and other mainstream media outlets.

Gibney interviews neither Assange, now residing under political asylum inside Ecuador’s embassy in London, nor Manning, who is held in a Department of Defense correction­al facility in Kansas. Assange is portrayed via newscasts and other video. Manning comes into focus through his America Online instant messages: “i want people to see the truth,” “it affects everyone on earth” and “i cant believe what im confessing to you.” The recipient of these messages was a hacker-turnedinfo­rmant responsibl­e for his arrest on May 26, 2010.

Assange is initially admired for designing a site to expose secrets of the powerful. But the media began to attack his character after allegation­s surfaced of his sexual misconduct in Swe-

den. Gibney deconstruc­ts this coverage, showing how its leaks work as leverage as well. Now the imperious paranoia of Assange is news, instead of a nation’s misdeeds. In turn, Manning’s ideals get sidelined by his gender-identity issues. Gibney ingeniousl­y reframes the personal and the political.

“WikiLeaks has become what it detests and what it actually tried to rid the world of,” charges Daniel Domscheit-Berg, a former WikiLeaks associate who split from Assange and started his own site, OpenLeaks. (Leaks about WikiLeaks itself discredite­d WikiLeaks, and WikiLeaks critiqued its leaked transcript of Gibney’s film.)

“Government should be transparen­t,” declared President Barack Obama on the day after his 2009 inaugurati­on. Assange and Manning view themselves as acting on that principle. “All institutio­ns, all, are engaged in unjust activities,” asserts Assange. About the unclassifi­ed, confidenti­al and secret cables that he leaked, Manning texted: “If its a country, and its recognized by the US as a country, its got dirt on it.”

Even as he weighs the impact of implementi­ng that philosophy, Gibney tests his own ethics as a truthseeki­ng filmmaker. He too targets wielders of corporate, military and political power. Who is “We” in the title “We Steal Secrets”? There’s no need for a spoiler alert, but it’s neither Gibney nor Assange.

Gibney inserts irony with the use of Hollywood clips and song choices. He has pegged his documentar­ies to various genres: heist, detective and black comedy. His trailer for “We Steal Secrets” quotes a Hollywood Reporter review: “It unfolds like an espionage thriller.” His non-fiction oeuvre, though, recalls Steven So- derbergh’s screen fictions. Both auteurs critique facets of the economy as flaws of character.

Greek tragedy is how Gibney describes his earlier films “Enron: The Smartest Guys in the Room” (2005), “Client 9: The Rise and Fall of Eliot Spitzer” (2010) and “Casino Jack and the United States of Money” (2005). Even the filmmaker’s subjects describe their scandals that way.

Change-the-world idealism is another motif. “We Steal Secrets” uses NASA to frame its story and our world. Gibney begins with 1989 incident about a computer worm and the Galileo satellite launch. Assange, then a Melbourne teenager also known as Mendax, was implicated. Gibney ends with Manning’s chat link to a 1990 photograph of Earth sent by Voyager 1 and quotes astronomer Carl Sagan: “In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.”

In accepting the best documentar­y Oscar for “Taxi to the Dark Side” (2007), Gibney urged: “Let’s hope we can turn this country around, move away from the dark side and back to the light.”

That’s an agenda of transparen­cy that Assange, Manning and Obama share, in theory.

 ??  ?? Julian Assange, founder of the activist site WikiLeaks, comes in for scrutiny in the documentar­y “We Steal Secrets.”
Julian Assange, founder of the activist site WikiLeaks, comes in for scrutiny in the documentar­y “We Steal Secrets.”
 ??  ?? “We Steal Secrets” suggests that Julian Assange (center) and members of his WikiLeaks team lost their focus after becoming dazzled by the media spotlight.
“We Steal Secrets” suggests that Julian Assange (center) and members of his WikiLeaks team lost their focus after becoming dazzled by the media spotlight.

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