Chicago Sun-Times

‘America the Beautiful 3’ talks up sex and girls

- ADRIENNE SAMUELS GIBBS Email: agibbs@suntimes.com Twitter: @AdrienneWr­ites

“There are a lot of women’s organizati­ons that have told me that I’m a feminist, I am an activist for women’s causes 100 percent. I guess yeah, I’ve been adopted as such.”

Documentar­y maker Darryl Roberts hedges a bit when asked if he’s a feminist.

If he were a girl, it wouldn’t seem a far leap to make. He’s made three movies about America’s obsession with beauty and how it hurts girls, he helped create an anti-bullying program available in 10,000 schools and he’s largely behind the protests that moved Abercrombi­e & Fitch to change its hypersexua­l ads.

This past week he spoke out on how trendy celebritie­s have made “being sexy” a commodity— the Beyonces, Rihannas and Kim Kardashian­s of the world. He has a phrase to describe this problem: “Girls seem to have two choices— being sexy or being invisible.”

Roberts is the brains behind “America the Beautiful 3: The Sexualizat­ion of Our Youth,” a look at the oversexual­ization of kids in the United States as seen through the lens of pint-size beauty pageants, sexy fast food ads, and several young men and women who expose what happens when sex is constantly consumed but isn’t discussed in any meaningful way. Cue the nude Kim K images that sought to “break the Internet” when released last week.

“A lot of people don’t know the history behind these images,” says Roberts, a Chicagoan who lives in Wicker Park but was raised in the now-demolished State way Gardens and in Englewood. He graduated from Lindb- lom High School with Cheryl Burton and is a former entertainm­ent reporter, so he understand­s how media affects pop culture.

“People see the images as a new shocking revelation,” he said, but they’re not. As seen in his documentar­y, the history of objectific­ation of women goes back years, if not centuries. But rather than complain about how it impacts boys and girls, Roberts talked to experts and shepherded his own interns through the process of protesting Abercrombi­e’s catalog ads, which often showed very young people in poses that made many uncomforta­ble. One intern, Cali Linstrom, also complained about how the company’s leadership seemed to “bully” kids by stating that its clothing was really only for the cool kids.

Yes, Roberts says, this type of activism can be a man’s work too. It takes all kinds to create change.

“There are a lot of women’s organizati­ons that have told me that I’m a feminist,” he says. “I am an activist for women’s causes 100 percent. I guess yeah, I’ve been adopted as such.”

He wins awards and gets results. Last month, Abercrombi­e & Fitch completed an anti-bullying campaign as a response to the protests. The campaign did not travel to Lindblom because, it would seem, the company doesn’t think students there are customers.

That said, Roberts’ work is not over. He wants teens to break the rules of homogeneit­y that spawn bullying and the other socially acceptable mores that use sex as a popularity tool. Staying true to oneself might just be the cure, he says.

“We all have a voice to use and you have to use it,” he says. “Things are getting out of hand, so it’s no longer OK to be quiet. When I was 8, I was a troublemak­er. I’m fired up now.”

As for what’s in his future, after finishing media interviews and completing the film circuit, he’s going to lighten things up a bit and return to his roots of writing romantic comedies. He plans to get fellow Chicagoan Vince Vaughn to star.

“I’ll go up to his house and deliver the script, and he’ll say no,” Roberts says, chuckling. “Then I’ll go do some local casting.”

 ?? | ASHLEE REZIN/FOR SUN-TIMES MEDIA ?? Chicago-based filmmaker Darryl Roberts talks about his new documentar­y “America The Beautiful 3” Friday morning at The Peninsula Chicago hotel in the Loop.
| ASHLEE REZIN/FOR SUN-TIMES MEDIA Chicago-based filmmaker Darryl Roberts talks about his new documentar­y “America The Beautiful 3” Friday morning at The Peninsula Chicago hotel in the Loop.
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