Composer and frequent CSO conductor won 26 Grammys
FRANKFURT, Germany — Pierre Boulez, conductor emeritus of the Chicago Symphony Orchestra and the former principal conductor of the New York Philharmonic, has died at age 90.
Mr. Boulez moved between conducting, composition and teaching over a long career that made him one of the leading figures in modern classical music.
Mr. Boulez, who had been unable to conduct recently due to increasing eye problems, died “peacefully” Tuesday at his home in Baden-Baden, Germany, said his assistant Marion Thiem.
“With the loss of Pierre Boulez, the world of music today is infinitely poorer. As both an admirer and friend of the maestro, I am deeply grateful for his contributions, as composer, conductor, and educator, to the Chicago Symphony Orchestra, with which he had a collaboration of nearly 50 years, and served so brilliantly as its principal guest conductor and conductor emeritus. His great musical artistry and exceptional intelligence will be missed,” said CSO music director and conductor Riccardo Muti in a statement released Wednesday.
“Pierre Boulez made French music shine throughout the world,” French President Francois Hollande said Wednesday in a statement. “As a composer and conductor, he always wanted to reflect on his era.”
Born in Montbrison, France, on March 26, 1925, Mr. Boulez initially studied mathematics as a youth before switching to music. He studied harmony at the Paris Conservatory with composer Olivier Messiaen and had lessons from Rene Leibowitz in the dissonant 20th-century style known as twelve-tone composition. His compositions include the Second Piano Sonata from 1947-48 and “Le Marteau Sans Maitre (The Ham- mer Without A Master), a setting of surrealist poetry by Rene Char for six instruments and alto voice.
He turned more and more from composition to conducting, leading the New York Philharmonic, where he succeeded Leonard Bernstein, and the BBC Symphony Orchestra during the 1970s.
He made his CSO debut in 1969 and began annual residencies at Orchestra Hall in 1991. He was named the orchestra’s principal guest conductor in 1995 and conductor emeritus in 2006.
He led Wagner’s “Ring” cycle of operas at the Bayreuth Festival Theater and also worked with the Cleveland Orchestra, Orchestre de Paris and the London Symphony Orchestra.
His albums won 26 Grammys. Among those honored were several made with the CSO, including recordings of Bartók’s Cantata profa- na and The Wooden Prince, Bartók’s Concerto for Orchestra and Four Orchestral Pieces, Mahler’s Ninth Symphony, Bartók’s Bluebeard’s Castle and Varèse’s Amériques, Arcana, Déserts and Ionisation.
In 1977, he launched IRCAM, a Paris-based institute focused on music, acoustics and electronics.
Mr. Boulez was a cool and contained presence on the podium, preferring a dark business suit and tie to tuxedo and tails, his gestures communicating logic and precision. He didn’t use a baton. He had a reputation as an uncompromising modernist who rejected easy ways of pleasing audiences or music he found uninteresting.
Thiem said Mr. Boulez never married. He is survived by a brother, Roger, and a sister, Jeanne Chevalier, along with several nieces and nephews. Funeral plans were incomplete.