Chicago Sun-Times

GOLDEN OPPORTUNIT­IES

On eve of the Oscar nomination­s, sure things in short supply

- RICHARD ROEPER rroeper@suntimes.com | @RichardERo­eper LEFT: “Widows” star Viola Davis has a shot in a crowded field for the best actress category. RIGHT: Said to be his last film role, Robert Redford’s charmer in “The Old Man and the Gun” offers a chance

One of these years, the Academy of Motion Picture Arts and Sciences is going to pull its gold-plated head out of the past and join the 21st century.

One of these years, they’re going to take a look at how the NFL Draft, the Heisman Trophy announceme­nt, the NBA Draft and the NCAA’s Men’s Basketball Selection Sunday have been fashioned into slick, well-produced, suspensefu­l, drama-filled television.

One of these years, the Academy is going to realize how drab and anticlimac­tic and underwhelm­ing it for them is to rattle off the nominees in rapid-fire fashion at an ungodly hour.

This is not that year.

Per usual, the nominees will be announced live at 5:20 a.m. Pacific Time on Tuesday, launching the usual round of stories about actors who were awakened by their agents with a phone call delivering the magical news.

Come on, Hollywood. If the sports world has figured out how to turn this sort of thing into mustsee TV, you can do it too!

Antiquated presentati­on aside, this looks to be one of the most unpredicta­ble and competitiv­e years in recent Oscar history.

The one thing we can count on is being surprised.

Some early awards-season favorites are going to be on the outside looking in, while some late-charging long-shot contenders might hear their names announced on Tuesday, when such a notion would have been almost laughable just a few months ago.

Folks, there’s a real chance “Bohemian Rhapsody” could snag a nomination for best picture.

Bohemian. Rhapsody. Which is basically an extended episode of “The Monkees” with better music and some sugar-coated drama.

Let’s take a look at the glamor categories and see if we can sniff out a few surprises.

Best Picture

In accordance with a set of rules more perplexing and convoluted than the plot of “Glass,” the Academy can nominate anywhere from five to 10 films. I think we’ll get nine nominees this year.

You can count on “Roma,” “A Star Is Born,” “Black Panther,” “The Favourite” and “BlacKkKlan­sman” garnering nomination­s, with “Green Book,” “Vice,” “If Beale Street Could Talk” and, yes, “Bohemian Rhapsody” most likely to round out the field.

Thinking with equal parts heart and head, I also can envision an upset scenario in which Steve McQueen’s brilliant “Widows” and Damien Chazelle’s stunning “First Man” are nominated, with “Green Book” and “Bohemian Rhapsody” falling just short.

Best Actress

Julia Roberts gave the best performanc­e of her career in “Ben Is Back” and Toni Collette burned right through the screen in “Hereditary” and Viola Davis was magnificen­t in hitting notes ranging from grieving to sexy to scared senseless to badass in “Widows” and Nicole Kidman delivered unforgetta­bly raw and real work in “Destroyer,” and yet I’m not sure if any of them will make the cut in a wonderfull­y crowded field of best actress candidates.

Glenn Close (“The Wife”), Lady Gaga (“A Star Is Born”) and Olivia Colman (“The Favourite”) are in for sure, with Melissa McCarthy (“Can You Ever Forgive Me?”), Emily Blunt (“Mary Poppins”) and Yalitza Aparicio (“Roma”) close behind.

In keeping with the theme of a surprise or two or three this year, I’m gonna go with:

Glenn Close, Lady Gaga, Olivia Colman, Viola Davis, Melissa McCarthy.

Best Actor

I’ll never understand how Robert Redford has exactly one best actor nomination (for “The Sting”) in his legendary career, given his work in “Butch Cassidy and the Sundance Kid,” “The Candidate,” “Downhill Racer,” “Jeremiah Johnson,” “Three Days of the Condor,” “All the President’s Men” and in perhaps his finest role, “All Is Lost.”

Perhaps the Academy will see fit to give him one of those honorary statues sooner rather than later.

Redford has said “The Old Man and the Gun” will be his final performanc­e, and there might be some sentiment (especially among veteran Academy members) to salute him with one of those “this is for your career as much as for this one role” nomination­s, but even though the movie and the performanc­e are entertaini­ng, it’s lightweigh­t stuff, not strong enough to crack the top five.

My picks: Christian Bale (“Vice”), Bradley Cooper (“A Star Is Born”), Rami Malek (“Bohemian Rhapsody”), John David Washington (“BlacKkKlan­sman”) and Ethan Hawke (“First Reformed”).

Supporting Actress

Regina King (“If Beale Street Could Talk”), Amy Adams (“Vice”), Claire Foy (“First Man”), Rachel Weisz (“The Favourite”) and (upset special) Elizabeth Debicki (“Widows”).

Supporting Actor

Mahershala Ali (“Green Book”), Timothee Chalamet (“Beautiful Boy”), Richard E. Grant (“Can You Ever Forgive Me?”), Sam Elliott (“A Star Is Born”) and (surprise!) Michael B. Jordan (“Black Panther”).

Odds of seeing hundreds of post-nomination stories headlined, “Oscar Nomination­s: The Biggest Snubs and Surprises”? Now you can take to the bank.

 ??  ?? For all the sand kicked in their face, Rami Malek (center) and the “Bohemian Rhapsody” team may end up Oscar nominees on Tuesday.
For all the sand kicked in their face, Rami Malek (center) and the “Bohemian Rhapsody” team may end up Oscar nominees on Tuesday.
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TWENTIETH CENTURY FOX (ABOVE, BOTTOM LEFT); FOX SEARCHLIGH­T
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