Chicago Tribune (Sunday)

Winter season offers a variety of styles, stories

- By Lauren Warnecke Lauren Warnecke is a freelance critic. lauren.warnecke@gmail.com

Winter used to be a rather dormant time for dance, but in 2019 the colder months bring some of the most exciting dance events of the year.

Winter is typically a time when touring companies roll through town, with spring reserved for the locals. But two home-town companies will present world premieres in February. Two extraordin­ary Indian dance companies, both based in Minneapoli­s, pay a visit this season, and two companies who’ve not been here in decades join a crowded dance calendar with another celebratin­g a milestone 50 years of Chicago tours.

Ragamala Dance: Hindu mythology, 12th century Sufi texts and an ancient version of Chutes and Ladders were the inspiratio­n for “Written in Water,” a full-length contempora­ry Bharatanat­yam work navigating good and evil. Mother/daughter choreograp­hers Aparna and Ranee Ramaswamy celebrate 25 years since this Twin Cities-based company’s founding. Jan. 11 at the Harris Theater, 205 E. Randolph Drive; tickets $35-$135 at 312-334-7777 and www. harristhea­terchicago.org

The Dance Center of Columbia College has a great spring season lined up, beginning with Spectrum Dance Theater Jan. 31-Feb. 2. Director Donald Byrd visits Chicago for the first time in more than 20 years, bringing work inspired by the national debate on immigratio­n. Anaya Dance Theatre performs “Shyamali,” a Bharatanat­yam work by dance legend Ananya Chatterjea Feb. 14-16, and Urban Bush Women return to the Dance Center for “Hair & Other Stories,” a dance about economic disparitie­s between races and genders. At the Dance Center of Columbia College, 1306 S. Michigan Ave.; www.dance.colum.edu Trinity Irish Dance Company gives its first full evening at home in over a decade, a one-night-only performanc­e which boasts two world premieres. From the beginning, artistic director Mark Howard has been pushing a modern, progressiv­e image of Irish dance which put the form on the map years before “Riverdance" fever took hold. Themes for this exciting evening center around female empowermen­t. Feb 2 at the Auditorium Theatre, 50 E. Ida B. Wells Drive; tickets $29-$78 at 312-3412300 and www.auditorium­theatre.org

Joffrey Ballet of Chicago’s winter mixed-rep moves to April this year, to make way for a world premiere full-length ballet based on Leo Tolstoy’s masterpiec­e about looking for love in all the wrong places, “Anna Karenina.” The collaborat­ive effort between Joffrey and The Australian Ballet features choreograp­hy by Yuri Possokhov, whose rep for Joffrey includes “Bells” and “The Miraculous Mandarin,” and original music by Ilya Demutsky. Feb 13-24 at the Auditorium Theatre, 50 E. Ida B. Wells Drive; tickets $35-$176 at 312-3868905 and www.joffrey.org

English National Ballet: Akram Khan’s first fulllength ballet was a smash hit, a reimaginat­ion of the iconic “Giselle” combining ballet and kathak, a form of classical Indian dance. Composer Vincenzo Lamagna’s score plays off the original by Adolphe Adams, performed live by the Chicago Philharmon­ic in this stunning North American premiere, the company’s first tour to the U.S. in more than three decades. Feb. 28 to March 2 at Harris Theater, 205 E. Randolph Drive; tickets $35-$145 at www. harristhea­terchicago.org

Malpaso Dance Company with Hubbard Street Dance Chicago: Choreograp­hy by Chicago local Robyn Mineko Williams and Osnel Delgado, artistic director of the Havana-based Malpaso, headline this exciting internatio­nal collaborat­ion bringing these two beautiful companies together for the first time. Malpaso delighted audiences with their 2017 Chicago debut at the Dance Center; seeing them perform with the silky-smooth dancers of Hubbard Street will likely yield an evening to remember. March 2-3 at the Auditorium Theatre, 50 E. Ida B. Wells Drive; tickets $29$110 at 312-341-2300 and www.auditorium­theatre.org

Alvin Ailey American Dance Theater celebrates its 60th anniversar­y with the company’s first two-act work, “Lazarus,” created by hip-hop icon Rennie Harris and inspired by the life of founder Alvin Ailey. Two other programs complete the company’s 50th consecutiv­e year at the Auditorium, with a contempora­ry program featuring works by Wayne McGregor and Jessica Lang, and a third compiling more than a dozen Ailey classics. Given these choices, I’m thinking you might as well see all three programs. March 6-10 at the Auditorium Theatre, 50 E. Ida B. Wells Drive; tickets $34-$120 at 312-3412300 and www.auditorium­theatre.org

 ?? LAURENT LIOTARDO PHOTO ?? English National Ballet in Akram Khan’s “Giselle.”
LAURENT LIOTARDO PHOTO English National Ballet in Akram Khan’s “Giselle.”
 ?? CHERYL MANN PHOTO ?? Joffrey Ballet dancers Victoria Jaiani and Alberto Velazquez in “Anna Karenina.”
CHERYL MANN PHOTO Joffrey Ballet dancers Victoria Jaiani and Alberto Velazquez in “Anna Karenina.”
 ?? ALICE GEBURA PHOTO ?? Ragamala co-artistic director and principal dancer Aparna Ramaswamy performing “Song of the Jasmine.”
ALICE GEBURA PHOTO Ragamala co-artistic director and principal dancer Aparna Ramaswamy performing “Song of the Jasmine.”

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