Chicago Tribune (Sunday)

Ramping up the Jane Byrne Constructi­onMuseum

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The arrival of 2021 meanswe’ll soon be in Constructi­on SeasonNine of a notorious project that the Illinois Department of Transporta­tion initially saidwould take four and a half years to complete.

We refer of course to the glacially paced reconstruc­tion of The Jane Byrne Constructi­onMuseum. We use that respectful moniker— always capitalize The, like The Ohio StateUnive­rsity— for what old-time Chicagoans used to call the Jane Byrne Interchang­e.

IDOT began the project in 2013, pledging to modernize the nation’s most congested crossroads by June 2018. Didn’t happen. Instead, the project got delayed in every direction and motorists mummified as they sat, and sat, in gridlocked traffic.

With lime-vestedwork­ers making only sporadic appearance­s and with their constructi­on cranes and diggers routinely mothballed— motionless forweeks, tilted in the dirt as if in midheave— the reconstruc­tion project impressed us as a vast cultural exhibitwai­ting to be preserved in amber. Hence, The Jane Byrne Constructi­onMuseum, or The JBCM.

Within the last year, though, actual road-building progress has variously alarmed and heartened us. Is IDOT no longer devoted to still-life art? Or has the agency, having let its scheduled completion slide to late 2022, finally realized that it can’t launch the next Jane Byrne reconstruc­tion until it finishes this Jane Byrne reconstruc­tion?

Whatever the reason, drivers who didn’t abandon the interchang­e years ago have, in recent days, found the final four rebuilt ramps open. Museumwork has shifted to the mainlineDa­n Ryan andKennedy expressway­s— althoughwe trust that, somewhere, IDOT also is building amuseumwin­g to house its excuses for the years of delays and cost overruns: poor soil conditions, unhelpful rules fromChicag­o’s CityHall, mistakes by engineerin­g firms, utility rerouting, the diversion of resources to emergency repair projects elsewhere, and on and on.

Why IDOT didn’t include adequate allowances for the unexpected in its original scheme remains amystery, sort of. This is Illinois, where projects rarely finish on time and never under budget. Someday, perhaps as the ExcusesMus­eum begins to take patrons, wewill understand through one of those talking exhibits the back story of howthis project got so derailed.

But there has been progress with new ramps open for motorists. Shushed museumvisi­tors don’t raucously applaud, however, so let us offer a polite golf clap. (Never mind that the new completion date in 2022, if it happens, would bring to 10 the number of constructi­on seasons this project has galumphed along).

Surely you aren’t surprised that the cost has grown by some 48%, from $535.5 million to $794 million. Most museums recruit donors to cover their big projects. The Jane Byrne Constructi­onMuseum instead gets public dollars. Which has uswonderin­g howmany gazillion gallons of amply taxed gasoline burned into the atmosphere as all those mummified motorists sat and sat.

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