Gripping sequel examines role of our online personas
In 2018, director Aneesh Chaganty and co-writer Sev Ohanian turned in a nifty little thriller, “Searching,” that commented on the way we live now, which is to say, online. In it, John Cho searches for his missing daughter through her digital detritus, parsing clues that lie in plain sight. The entirety of the film takes place on a computer screen, making use of the way cameras have permeated our everyday existence, from FaceTime to surveillance video.
“Searching” was a critical and commercial success, and a sequel, “Missing,” is hitting theaters with a story by Chaganty and Ohanian, and directed by Nick Johnson and Will Merrick, who wrote the screenplay as well. This time, a mother goes missing, and her daughter searches for her, turning up a whole host of new terrors and triumphs of tech and true crime.
Johnson and Merrick utilize the format set by “Searching,” but the technological, cultural and media landscape has evolved, including the fire hose of streaming true-crime content; the only time the camera is ever liberated from the laptop screen is during fake-out re-creations from a Netflix true-crime series called “Unfiction.” There’s also the proliferation of TikTok detectives and Twitter police performing armchair analysis on every missing person case.
If you’ve seen “Searching,” you’ll probably have an inkling that the answer will be planted in front of us, but “Missing” takes some wild and crazy twists and turns to arrive at its destination. College-bound June (Storm Reid), 18, just wants to rage with her friends while her mom, Grace (Nia Long), is on vacation in Colombia with her new boyfriend, Kevin (Ken Leung). But when a hungover June rolls into LAX to pick them up a week later, Grace and Kevin are a no-show.
Relying on her impressive Google skills, innate to a digitally native member of Gen Z, June starts searching for her mom, combing through tourist live cams, bank statements and hiring a TaskRabbit-type helper, Javi (Joaquim de Almeida), to do footwork on the ground in Colombia. June is smart, resourceful and bold, and the way she cracks passwords and navigates the maze of information will make anyone think about how much information tracking one should leave toggled on in their Google account. Is it better to leave a trace? Depends on what you’re doing.
The swift and suspenseful “Missing” plows through nearly two hours of shocking plot twists at a breakneck pace, and while it’s entertaining to be sure, it also takes on a somber tone as it reckons with grief, loss and intimate partner violence in a way that’s very real, backed up by headlines ripped from the news, and yes, those true-crime series and TikToks that are so compelling.
That’s what makes movies like “Searching” and “Missing” so captivating. They’re high-concept thrillers featuring melodramatic acting (Reid is a likable presence, but it’s doubtful she’ll snag an Independent Spirit Award nomination as Cho did), but they also feel authentic to the way we live, even in the outlandish moments. We experience so much of our reality online, unknowingly scattering artifacts of our lived experience as we click and swipe. But these two films reiterate that despite the pictures, videos, the breadcrumbs of humanity reflected in zeros and ones, there’s nothing like the real thing, for better or for worse.
MPA rating: PG-13 (for some strong violence, language, teen drinking and thematic material) Running time: 1:51
How to watch: In theaters