China Daily Global Weekly

Speaking through a dummy

Persistent effort enables young man to master the art of ventriloqu­ism, make a name for himself

- By ZHANG LEI zhanglei@chinadaily.com.cn

Ventriloqu­ism is a not high-profile profession in China, and there are only a handful of people in the country who are proficient in that stagecraft. The practice is said to have originated in ancient Egypt, with a history of more than 3,000 years. There are also many records about ventriloqu­ism in ancient China, often referred as “belly fairy”.

It was also called “belly-talking”, but in fact the sounds do not come from inside the belly, rather fluttered through the vocal cords.

Ventriloqu­ism, or ventriloqu­y, is an act of stagecraft in which a person creates the illusion that their voice is coming from elsewhere, usually a puppet prop, known as a “dummy”. Ventriloqu­ists do not move their mouth; they exert strength in the abdomen to adjust the breath at different positions of the vocal cords. Sounds are put forth through the breath to create resonance in the nasal and cranial cavity.

Li Bing, a ventriloqu­ist in his 20s, was born in a rural village in Peixian county in Xuzhou in East China’s Jiangsu province. In order to ease the burden on his father, Li, who had excellent school grades, gave up the opportunit­y to go to university and stepped into society early in life to earn a living. Li has worked as a salesperso­n, constructi­on worker,

street vendor, and actor. Incredibly hardworkin­g and sharp-witted, he is adept at doing different jobs. Living on his own gives him a sense of fulfillmen­t.

The first step in becoming a good ventriloqu­ist is to choose a puppet that matches the character you are

trying to create. The artist needs to work on throwing his voice, using a different accent or tone, and speaking without moving his lips.

Animating the puppet is another aspect of ventriloqu­ism, so the artist usually takes effort to practice moving the puppet’s mouth and body in

time with what he is saying. In time, the artist has to develop a routine and dialogue between himself and his puppet.

There is no high threshold for learning ventriloqu­ism, nor does it require any basics. Getting it started works well for some people, but many find it hard to maintain when on the go. It takes three to six months to get started with ventriloqu­ism, and at least several years for proficienc­y.

On one occasion, Li saw a video on the internet in which a foreign ventriloqu­ist performed with skill. The audience burst into laughter when the artist acted out an episode with his peculiar vocal technique and cute puppet prop. Each gag was rewarded with a generous belly-laugh.

What struck him from the outset was that something as pervasive as ventriloqu­ism must be a deep part of the story of life itself. Suddenly, it seemed that this was the career he had been looking for in his entire life, and the dream that he nursed in his mind suddenly crystalliz­ed.

Li worked hard to learn on his own and immersed himself in profession­al training classes. Soon, he mastered the ventriloqu­ism performanc­e skills in a relatively short time. The essence of mastering the art lies in having good jokes and charisma in engaging with the audience, just like a standup comic.

Since then, Li and his puppet “Monkey Jack” have been inseparabl­e from each other. Li does not stay in one place for very long; he is always on the move, sometimes in an amusement park, sometimes in a folk art club, or on the street. A fan of the street art culture, Li is in the process of acquiring a street artist certificat­e. He plans to travel around the country while performing the art.

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 ?? PHOTOS BY WANG QING / FOR CHINA DAILY ?? From left: Conversing with “Monkey Jack” is Li Bing’s daily routine. The success of ventriloqu­ism usually lies in amusing interactio­ns between the ventriloqu­ist and the puppet; Audiences watch Li Bing’s performanc­e in front of the City God Temple in Shanghai; Li Bing keeps moving around various cities with his luggage and props.
PHOTOS BY WANG QING / FOR CHINA DAILY From left: Conversing with “Monkey Jack” is Li Bing’s daily routine. The success of ventriloqu­ism usually lies in amusing interactio­ns between the ventriloqu­ist and the puppet; Audiences watch Li Bing’s performanc­e in front of the City God Temple in Shanghai; Li Bing keeps moving around various cities with his luggage and props.
 ??  ?? From left: The ancient town of Lijiang attracts young artists from across the country. They like to chat with Li Bing. There is always joy in his presence; Li Bing performs at Qingqu, a local folk art club in Xi’an, Shaanxi province; After finishing a performanc­e in Xi’an, Li Bing visits a bookstore to read.
From left: The ancient town of Lijiang attracts young artists from across the country. They like to chat with Li Bing. There is always joy in his presence; Li Bing performs at Qingqu, a local folk art club in Xi’an, Shaanxi province; After finishing a performanc­e in Xi’an, Li Bing visits a bookstore to read.
 ??  ?? In order to revive the economy, the Lijiang government in Yunnan province encourages the operation of street vendors. Li Bing organizes a charity gig at the local night market.
In order to revive the economy, the Lijiang government in Yunnan province encourages the operation of street vendors. Li Bing organizes a charity gig at the local night market.

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