China Daily Global Edition (USA)

Stitching for yuan

Uygur embroidery is learning how to turn tradition into prosperity

- By XINHUA in Hami, Xinjiang

Embroidere­rs in Northwest China’s Xinjiang Uygur autonomous region are learning to turn their traditiona­l handiwork into a modern, thriving business. More than 300 products, from pillows, bags and gloves to car accessorie­s and even embroidery-covered headphones and books, were on display at an exhibition that began recently in the city of Hami.

“I never thought embroidery could be used in so many ways,” said Kateerh Rahman, a local farmer who manages an embroidery team of more than 100 people in Hami.

The market has responded well to their products. “We simply can’t meet the demand,” he said.

The most popular of his designs is the headphone cover, which he said makes customers feel “soft and warm” while wearing the ordinarily cold electronic devices.

His designs were inspired by the “Xinjiang Hami Traditiona­l Craft Workshop”, a project supported by the Ministry of Culture.

Launched in March, the project was jointly establishe­d by the government of Hami prefecture, the Academy of Art and Design at Tsinghua University and the Shenzhenba­sed Artron Art Group.

Hami Uygur embroidery was listed as an intangible cultural heritage of China in 2008. Featuring colorful patterns, it is mainly seen in traditiona­l Uygur clothing. While China is working to preserve this tradition, local embroidere­rs are trying to revive ethnic craftsmans­hip by improving their skills and expanding the market.

Xiang Zhaolun, China’s deputy minister of culture, said the workshop has promoted cooperatio­n in embroidery training, improved the skills of local craftsmen and presented them with business opportunit­ies.

“The workshop can turn traditiona­l textiles into a fashion trend and open the doors to the world for embroidery craftsmen living in remote farming and herding regions,” he said.

Rahman is among 50 local embroidere­rs organized by the workshop to attend intangible cultural heritage training in Guangzhou, South China’s Guangdong province. He was also invited to Shanxi province to learn to integrate modern fashion and traditiona­l embroidery as well as modern design techniques.

Artron Art Group, one of the organizers, sent three teams to help local craftsmen expand markets for embroidery.

“They help us gain customers and bring us orders,” Rahman said.

Guldas Tursun, who started learning embroidery at age 10, said embroidery products used to be sold only in and near Hami, but now, thanks to the Artron teams, sales channels have expanded.

She recently secured an order for 830 products with a total value of more than 36,000 yuan ($5,400) from a Shanxi-based company through the recommenda­tion of the workshop.

“Now I need to recruit more people,” she said with a smile. She already employs 130 workers.

Liu Kuili, an expert on cultural heritage protection, said: “The training, product design and marketing channels offered by the workshop have promoted the revitaliza­tion of the craft.”

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 ?? ZHANG HONGCHI / XINHUA ?? Embroidere­r Kateerh Rahman teaches two women the traditiona­l craft in Hami, the Xinjiang Uygur autonomous region.
ZHANG HONGCHI / XINHUA Embroidere­r Kateerh Rahman teaches two women the traditiona­l craft in Hami, the Xinjiang Uygur autonomous region.
 ?? ZHANG HONGCHI / XINHUA ?? A Uygur girl learns embroideri­ng at a traditiona­l Uygur embroidery workshop in Hami, the Xinjiang Uygur autonomous region.
ZHANG HONGCHI / XINHUA A Uygur girl learns embroideri­ng at a traditiona­l Uygur embroidery workshop in Hami, the Xinjiang Uygur autonomous region.

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