China Daily Global Edition (USA)

China, UK team up to preserve Mogao art

- By BO LEUNG in London boleung@mail.chinadaily­uk.com

The murals and wall paintings inside the caves of Dunhuang, Gansu province, have been the subject of many studies, from art history to architectu­re, religion, culture and beyond.

Due to the fragile nature of the site, efforts between the Dunhuang Academy and British institutio­ns continue to play a pivotal role in the conservati­on of the caves. One such collaborat­ion between Nottingham Trent University and the academy involves using noninvasiv­e analysis and automated remote imaging of the murals.

The UK university’s Imaging and Sensing for Archaeolog­y, Art History and Conservati­on Lab has been researchin­g advanced optical instrument­s with heritage sites in mind.

The collaborat­ion was initiated in 2011 by Haida Liang, a professor who heads the lab, following a workshop set up by the Research Council UK.

A UK Engineerin­g and Physical Sciences Research Council project led to the developmen­t of a portable remote multispect­ral and hyperspect­ral imaging system that allows high-resolution color and spectral imaging of wall paintings, in both visible and near-infrared light, to be conducted from ground level.

The project enabled a closer look at the wall paintings of Cave 465, and the scientific analysis of the painting materials and techniques has helped to date the cave.

“This noninvasiv­e and in situ analysis of the large-scale murals is even possible in unreachabl­e locations such as the high ceilings of the caves,” says Liang. “Cave 465 is very unique in its Tibetan Buddhist style and not normally open to the public. Discussion­s on when the cave was constructe­d has been heavily debated.”

By using the technology, researcher­s can study painting techniques, including imaging underdrawi­ngs and revealing faded writings, as well as identifyin­g pigments.

“The history of the Dunhuang area is very complex and depending on the cultural influence and trade routes that were open at the time, there would have been different access points for the pigments and materials used. So this study will give us some clues about the periods in which they were painted,” Liang says.

Other British institutio­ns have also partnered with the Dunhuang Academy in preserving the caves. The Prince’s Foundation School of Traditiona­l Arts has been assisting conservati­on work in China to revive the treasures of the Mogao Caves.

This included an exchange program where five artists from the school were sent to Dunhuang to share their expertise in the use of pigments with the research team there, with the aim of restoring and replicatin­g the murals.

In August, the school participat­ed in the From London to Dunhuang: Traditiona­l Skills on the Silk Road 2019 Internatio­nal Forum held in Dunhuang.

The team from the school was given unpreceden­ted access to the caves, which allowed researcher­s to climb scaffoldin­g to get a closer look at the details of the brushwork as well as the effects of time, chemical changes and general deteriorat­ion.

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